Database / Artworks
Artworks
Oak Cliff, Dallas
George Elbert Burr
pencil on paper · 1890
Smithsonian American Art Museum
Baby Robin
Paul Wayland Bartlett
bronze · 1890
Smithsonian American Art Museum
Girl in White
William Merritt Chase
oil paint · 1890
Smithsonian American Art Museum
At the Restaurant
Jean-Louis Forain
Lithograph in black on cream laid paper · 1890
Art Institute of Chicago
Maiden, Cupid and Frog
William Walker
Ink and watercolor · 1890
The Metropolitan Museum of Art
Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of Hell, Where, Vanquished, You Dream in Silence!, plate 8 of 9
Odilon Redon
Photogravure made from an original drawing, in black on ivory wove paper · 1890
Art Institute of Chicago
Ceaselessly by my side the demon stirs, plate 7 from Charles Baudelaire's Flowers of Evil
Odilon Redon
Photogravure made from an original drawing (Evely process), in black on ivory wove paper · 1890
Art Institute of Chicago
On the Backdrop of Our Nights God with His Knowing Finger Traces a Multiform Implacable Nightmare, plate 6 of 9
Odilon Redon
Photogravure made from an original drawing, in black on ivory wove paper · 1890
Art Institute of Chicago
Tailpiece, plate 9 of 9
Odilon Redon
Photogravure made from an original drawing, in black on ivory wove paper · 1890
Art Institute of Chicago
If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched Body, plate 4 of 9
Odilon Redon
Photogravure made from an original drawing, in black on ivory wove paper · 1890
Art Institute of Chicago
Pleasure, Elastic Phantom!, plate 5 of 9
Odilon Redon
Photogravure made from original drawing, in black on ivory wove paper · 1890
Art Institute of Chicago
I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate 2 of 9
Odilon Redon
Photogravure made from an original drawing, in black on ivory wove paper · 1890
Art Institute of Chicago
Sometimes One Finds an Old Reminiscing Flask, Whence Issues in Full Life a Returning Soul, plate 3 of 9
Odilon Redon
Photogravure made from an original drawing, in black on ivory wove paper · 1890
Art Institute of Chicago
Cover/Frontispiece for Les Fleurs du Mal, plate 1 of 9
Odilon Redon
Bi-fold portfolio cover printed in black by photogravure from an original drawing, on blue-gray wove paper · 1890
Art Institute of Chicago
Serpent-Halo
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1890
Art Institute of Chicago
Serpent Halo
Odilon Redon
Transfer lithograph on mounted ivory China paper · 1890
Art Institute of Chicago
Frontispiece for Les Flambeaux noirs by Emile Verhaeren
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1890
Art Institute of Chicago
Galveston, Texas
George Elbert Burr
pencil on paper · 1890
Smithsonian American Art Museum
Joachim und Excellenz V. Keudell, Musizierend
Ferdinand Schmutzer
Etching on paper · 1890
Art Institute of Chicago
Killingworth Image, Man on a Hog
Clark Coe
mixed media: carved, assembled, and painted wood, tinned iron, iron nails, textile remnants, hair, and fabric · 1890
Smithsonian American Art Museum
Dressing for the Rehearsal
Seymour Joseph Guy
oil paint · 1890
Smithsonian American Art Museum
Oak Cliff--Dallas
George Elbert Burr
pencil on paper · 1890
Smithsonian American Art Museum
Salome Receiving the Head of John the Baptist
Edward Mitchell Bannister
oil on paperboard mounted on paperboard · 1890
Smithsonian American Art Museum
Summer
Thomas Wilmer Dewing
oil on canvas · 1890
Smithsonian American Art Museum