Database / Artworks

Artworks

469 records
Les-Parents-Terribles series: It's Pretty, But...
Les-Parents-Terribles series: It's Pretty, But...
Paul Gavarni
Lithograph in black on cream wove paper · 1852
Art Institute of Chicago
Les-Parents-Terribles series: Here is the little Dancer
Les-Parents-Terribles series: Here is the little Dancer
Paul Gavarni
Lithograph in black on ivory wove paper · 1852
Art Institute of Chicago
Les Propos de Thomas Vireloque: His Majesty the King of beasts
Les Propos de Thomas Vireloque: His Majesty the King of beasts
Paul Gavarni
Lithograph in black on cream wove paper · 1852
Art Institute of Chicago
Descent from the Cross with a Silhouette of Jerusalem in the Background
Descent from the Cross with a Silhouette of Jerusalem in the Background
Franz Johann Heinrich Nadorp
Graphite, with smudging, on ivory wove paper · 1852
Art Institute of Chicago
Deliverance of the Daughters of Daniel Boone and Callaway, plate two from Histoire des Premiere Colons d'Amerique
Deliverance of the Daughters of Daniel Boone and Callaway, plate two from Histoire des Premiere Colons d'Amerique
Karl Bodmer
Tint lithograph on ivory wove paper · 1852
Art Institute of Chicago
The Thomas Hunt and the America
The Thomas Hunt and the America
James Bard
Oil on canvas · 1852
The Metropolitan Museum of Art
Oude kerk van Vaassen
Oude kerk van Vaassen
Gerrit Hulseboom
brush on watercolor (paint), paper, pencil, ink · 1852
Rijksmuseum
The Emigration of Daniel Boone with His Family
The Emigration of Daniel Boone with His Family
Claude Regnier
Hand-colored lithograph in black and brown, with selective glazing, on ivory wove paper · 1852
Art Institute of Chicago
The Tow Boat Conqueror
The Tow Boat Conqueror
James Guy Evans
Oil on canvas · 1852
The Metropolitan Museum of Art
Scolopendrium Vulgare
Scolopendrium Vulgare
Anna Atkins
cyanotype · 1852
Cleveland Museum of Art
The Bird Catcher
The Bird Catcher
Thomas Couture
Oil on canvas · 1852
Art Institute of Chicago
Objects on Wall, study for Couture, The Bird-Catcher
Objects on Wall, study for Couture, The Bird-Catcher
Thomas Couture
Black chalk, heightened with white chalk, on blue laid paper · 1852
Art Institute of Chicago
Study for the decoration of the ceiling of the Opéra Comique
Study for the decoration of the ceiling of the Opéra Comique
Thomas Couture
Black chalk on blue paper mounted on cardboard · 1852
The Metropolitan Museum of Art
Snowdon, after an April Hailstorm [or Snowdon through Clearing Clouds]
Snowdon, after an April Hailstorm [or Snowdon through Clearing Clouds]
Alfred William Hunt
Watercolor · 1852
The Metropolitan Museum of Art
Chartres Cathedral
Chartres Cathedral
Henri Le Secq
photolithograph · 1852
National Gallery of Art
Fern
Fern
William Henry Fox Talbot
photogravure · 1852
National Gallery of Art
Tourelle, Rue de la Tixeranderie
Tourelle, Rue de la Tixeranderie
Charles Méryon
etching in brown on laid paper · 1852
National Gallery of Art
Queen Victoria and Children
Queen Victoria and Children
William Edward Kilburn
daguerreotype with applied color · 1852
National Gallery of Art
Arlesiennes dans le Cloître de Saint-Trophime (Women from Arles in the Cloisters of Saint Trophime)
Arlesiennes dans le Cloître de Saint-Trophime (Women from Arles in the Cloisters of Saint Trophime)
Charles Nègre
salted paper print · 1852
National Gallery of Art
Bas-Breau, Forest of Fontainebleau
Bas-Breau, Forest of Fontainebleau
Gustave Le Gray
salted paper print · 1852
National Gallery of Art
Wells Cathedral
Wells Cathedral
Roger Fenton
albumen print · 1852
National Gallery of Art
Bavant pour se desennuyer
Bavant pour se desennuyer
Honoré Daumier
lithograph · 1852
National Gallery of Art
Nouvelle mode anglaise
Nouvelle mode anglaise
Honoré Daumier
lithograph · 1852
National Gallery of Art
L'inconvénient d'avoir des domestiques ...
L'inconvénient d'avoir des domestiques ...
Honoré Daumier
lithograph · 1852
National Gallery of Art
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