Database / Artworks

Artworks

106 records
Joseph Reade
Joseph Reade
John Wollaston
Oil on canvas · 1749
The Metropolitan Museum of Art
De lezer
De lezer
Valentine Green
glass, oil paint (paint), paper · 1749
Rijksmuseum
Portret van jongen met een hond
Portret van jongen met een hond
Valentine Green
paper · 1749
Rijksmuseum
Vase
Vase
Jean-Claude Duplessis
Soft-paste porcelain, polychrome enamels, and gilding · 1749
Art Institute of Chicago
Vase
Vase
Jean-Claude Duplessis
Soft-paste porcelain, polychrome enamels, and gilding · 1749
Art Institute of Chicago
The Moat Island, Windsor Great Park
The Moat Island, Windsor Great Park
Thomas Sandby
Watercolor, pen and gray ink, over graphite · 1749
The Metropolitan Museum of Art
Vase (Vase à Oreilles)
Vase (Vase à Oreilles)
Jean-Claude Duplessis
Soft-paste porcelain, underglaze and overglaze blue, and gilding · 1749
Art Institute of Chicago
Three Studies for Statue of John Locke
Three Studies for Statue of John Locke
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over red chalk and graphite, on cream laid paper · 1749
Art Institute of Chicago
Self-Portrait
Self-Portrait
Juste Chevillet
Engraving on ivory laid paper · 1749
Art Institute of Chicago
Etude du Dessein (The Drawing Lesson)
Etude du Dessein (The Drawing Lesson)
Jacques Philippe Le Bas
Engraving in black on cream laid paper · 1749
Art Institute of Chicago
La Bonne Education (The Good Education)
La Bonne Education (The Good Education)
Jacques Philippe Le Bas
Engraving in black on cream laid paper · 1749
Art Institute of Chicago
La Rencontre Dangereuse (The Dangerous Encounter)
La Rencontre Dangereuse (The Dangerous Encounter)
Jean Jacques Le Veau
Etching on ivory laid paper · 1749
Art Institute of Chicago
Mezzetino
Mezzetino
Simon Feilner
Hard-paste porcelain and polychrome enamels · 1749
Art Institute of Chicago
Columbine
Columbine
Simon Feilner
Hard-paste porcelain with polychrome enamel decoration · 1749
Art Institute of Chicago
Skirt Panel for a Woman's Sack Gown
Skirt Panel for a Woman's Sack Gown
Anna Maria Garthwaite
Silk, plain weave foundation with supplementary patterning warps and supplementary brocading wefts · 1749
Art Institute of Chicago
Portrait of a Young Man
Portrait of a Young Man
John Wollaston
Oil on canvas · 1749
Art Institute of Chicago
Portrait of a Woman
Portrait of a Woman
John Wollaston
Oil on canvas · 1749
Art Institute of Chicago
Portrait of a Naval Officer
Portrait of a Naval Officer
John Wollaston
Oil on canvas · 1749
Art Institute of Chicago
The Head of a Young Man in Profile to the Left (recto); Studies of Allegorical Figures (verso)
The Head of a Young Man in Profile to the Left (recto); Studies of Allegorical Figures (verso)
Giovanni Battista Tiepolo
Red chalk, with touches of white chalk (recto and verso), on blue laid paper with blind incising around recto · 1749
Art Institute of Chicago
God the Father Supported by Angels in the Clouds, I
God the Father Supported by Angels in the Clouds, I
Giovanni Domenico Tiepolo
Pen and brown ink, and brush and brown and gray washes, with traces of red chalk, over traces of black chalk, on ivory laid paper · 1749
Art Institute of Chicago
Design for a Frontispiece
Design for a Frontispiece
Pierre Edme Babel, French
Pen and black ink, brush and black ink wash on paper · 1749
Cooper Hewitt, Smithsonian Design Museum
Cut-away view of the interior of the Basilica of S. Paolo fuori delle Mura [St. Paul outside the Walls], from Views of Rome
Cut-away view of the interior of the Basilica of S. Paolo fuori delle Mura [St. Paul outside the Walls], from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1749
Art Institute of Chicago
View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome
View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1749
Art Institute of Chicago
View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome
View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1749
Art Institute of Chicago
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