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Artworks

100 records
Fountain with Two Tritons Blowing Conch Shells
Fountain with Two Tritons Blowing Conch Shells
François Boucher, French
Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper · 1731
Cleveland Museum of Art
Copy after Drawing by Carlo Maratta
Copy after Drawing by Carlo Maratta
Francisco Matto
Red chalk, on ivory laid paper, laid down on cream laid card · 1731
Art Institute of Chicago
The Actor Sawamura Kamesaburo as Nagoya Kosanza in the play "Keisei Fukubiki Nagoya," performed at the Nakamura Theater in the first month, 1731
The Actor Sawamura Kamesaburo as Nagoya Kosanza in the play "Keisei Fukubiki Nagoya," performed at the Nakamura Theater in the first month, 1731
Okumura Toshinobu
Hand-colored woodblock print; hosoban, urushi-e · 1731
Art Institute of Chicago
Copy after Drawing by Carlo Maratta
Copy after Drawing by Carlo Maratta
Francisco Vieira de Mattos, the elder
Red chalk, on ivory laid paper, laid down on cream laid card · 1731
Art Institute of Chicago
René Hérault
René Hérault
Jean-Étienne Liotard
Etching with engraving on laid paper · 1731
Art Institute of Chicago
Flower Gardens of Seaux
Flower Gardens of Seaux
Jacques Rigaud
engraving · 1731
Cleveland Museum of Art
Chateau and Garden of Seaux
Chateau and Garden of Seaux
Jacques Rigaud
engraving · 1731
Cleveland Museum of Art
Oriental Warrior
Oriental Warrior
François Boucher
Etching on cream laid paper · 1731
Art Institute of Chicago
Romeinse polichinelle in vastenavondkostuum
Romeinse polichinelle in vastenavondkostuum
Charles Louis Clérisseau
pen on paper, ink · 1731
Rijksmuseum
Gezicht op de Thermen van Diocletianus te Rome
Gezicht op de Thermen van Diocletianus te Rome
Charles Louis Clérisseau
brush on paper · 1731
Rijksmuseum
The Sole (Solea lunata & c)
The Sole (Solea lunata & c)
Mark Catesby, English
hand-colored etching on paper · 1731
Smithsonian American Art Museum
Book of Fountains:  No. 5
Book of Fountains: No. 5
Gabriel Huquier
etching · 1731
Cleveland Museum of Art
No. 1: Title Page
No. 1: Title Page
Gabriel Huquier
etching · 1731
Cleveland Museum of Art
No. 6: Fountain with Two Tritons Blowing Conch Shells
No. 6: Fountain with Two Tritons Blowing Conch Shells
Gabriel Huquier
etching and engraving · 1731
Cleveland Museum of Art
Book of Fountains:  No. 2
Book of Fountains: No. 2
Gabriel Huquier
etching · 1731
Cleveland Museum of Art
Book of Fountains:  No. 4
Book of Fountains: No. 4
Gabriel Huquier
etching · 1731
Cleveland Museum of Art
Fifth Day's Work
Fifth Day's Work
Johann Melchior Füssli, Swiss
Brush and gray wash, pen and brown ink, black chalk on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Physica Sacra
Physica Sacra
Johann Melchior Füssli, Swiss
Brush and gray and yellow wash, pen and brown ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob Scheuchzer
The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob Scheuchzer
Johann Melchior Füssli, Swiss
Brush and wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
Study for The Iron Bedstead of King Og, Plate 324, Physica Sacra
Study for The Iron Bedstead of King Og, Plate 324, Physica Sacra
Johann Melchior Füssli, Swiss
Brush and grey, black wash, pen and brown, black ink on cream laid paper · 1731
Cooper Hewitt, Smithsonian Design Museum
After
After
William Hogarth
oil paint · 1731
The Metropolitan Museum of Art
Fountain with Two Tritons Blowing Conch Shells
Fountain with Two Tritons Blowing Conch Shells
François Boucher
Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper · 1731
Cleveland Museum of Art
John Churchill, 1st Duke of Marlborough (1650–1722)
John Churchill, 1st Duke of Marlborough (1650–1722)
John Michael Rysbrack
Carrara marble · 1731
The Metropolitan Museum of Art
Preliminary Design for Monument to John Gay the Poet
Preliminary Design for Monument to John Gay the Poet
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1731
Art Institute of Chicago
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