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Artworks

876 records matching “Tate
Copper Notes, State 6
Copper Notes, State 6
William Kentridge
One from a series of twelve drypoints · 2005
Museum of Modern Art
Copper Notes, State 7
Copper Notes, State 7
William Kentridge
One from a series of twelve drypoints · 2005
Museum of Modern Art
Copper Notes, State 8
Copper Notes, State 8
William Kentridge
One from a series of twelve drypoints · 2005
Museum of Modern Art
Copper Notes, State 5
Copper Notes, State 5
William Kentridge
One from a series of twelve drypoints · 2005
Museum of Modern Art
Copper Notes, States 0-11
Copper Notes, States 0-11
William Kentridge
Series of twelve drypoints · 2005
Museum of Modern Art
Buzzard's Roost Pass from Harper's Pictorial History of the Civil War (Annotated)
Buzzard's Roost Pass from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Lost Mountain at Sunrise from Harper's Pictorial History of the Civil War (Annotated)
Lost Mountain at Sunrise from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Monument Honouring the 'Contribution of the Horse to South African History,' Erected by the Rapportryers of Bethulie in 1982. Laura Rautenbach was the Sculptor., After the Theft of Bronze Oxen from a Voortrekker Monument in the Town, the Rapportryers Caged the Horse in Steel in 2004. Bethulie, Free State
Monument Honouring the 'Contribution of the Horse to South African History,' Erected by the Rapportryers of Bethulie in 1982. Laura Rautenbach was the Sculptor., After the Theft of Bronze Oxen from a Voortrekker Monument in the Town, the Rapportryers Caged the Horse in Steel in 2004. Bethulie, Free State
David Goldblatt
Inkjet print · 2005
Museum of Modern Art
An Army Train from Harper's Pictorial History of the Civil War (Annotated)
An Army Train from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Crest of Pine Mountain, Where General Polk Fell from Harper's Pictorial History of the Civil War (Annotated)
Crest of Pine Mountain, Where General Polk Fell from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Scene of McPherson's Death from Harper's Pictorial History of the Civil War (Annotated)
Scene of McPherson's Death from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Cotton Hoards in Southern Swamp from Harper's Pictorial History of the Civil War (Annotated)
Cotton Hoards in Southern Swamp from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Confederate Prisoners Being Conducted from Jonesborough to Atlanta from Harper's Pictorial History of the Civil War (Annotated)
Confederate Prisoners Being Conducted from Jonesborough to Atlanta from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Signal Station, Summit of Maryland Heights from Harper's Pictorial History of the Civil War (Annotated)
Signal Station, Summit of Maryland Heights from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Alabama Loyalists Greeting the Federal Gun-Boats from Harper's Pictorial History of the Civil War (Annotated)
Alabama Loyalists Greeting the Federal Gun-Boats from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Deadbrook After the Battle of Ezra's Church from Harper's Pictorial History of the Civil War (Annotated)
Deadbrook After the Battle of Ezra's Church from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Pack-Mules in the Mountains from Harper's Pictorial History of the Civil War (Annotated)
Pack-Mules in the Mountains from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Occupation of Alexandria from Harper's Pictorial History of the Civil War (Annotated)
Occupation of Alexandria from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
The Secretary of State
The Secretary of State
Luc Tuymans
Oil on canvas · 2005
Museum of Modern Art
Banks's Army Leaving Simmsport from Harper's Pictorial History of the Civil War (Annotated)
Banks's Army Leaving Simmsport from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Foote's Gun-Boats Ascending to Attack Fort Henry from Harper's Pictorial History of the Civil War (Annotated)
Foote's Gun-Boats Ascending to Attack Fort Henry from Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
One from a portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Harper's Pictorial History of the Civil War (Annotated)
Harper's Pictorial History of the Civil War (Annotated)
Kara Walker
Portfolio of fifteen lithograph and screenprints · 2005
Museum of Modern Art
Announcement card for State of Play, Serpentine Gallery, London, February 3–March 28, 2004
Announcement card for State of Play, Serpentine Gallery, London, February 3–March 28, 2004
Aleksandra Mir
Postcard · 2004
Museum of Modern Art
Brochure for State of Play, Serpentine Gallery, London, February 3–March 28, 2004
Brochure for State of Play, Serpentine Gallery, London, February 3–March 28, 2004
Aleksandra Mir
Invitation brochure · 2004
Museum of Modern Art
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