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Artworks

Plate (page 95) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 49) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching, aquatint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 137) from Mr. Aa the Anti-Philosopher (Monsieur Aa l'antiphilosophe): Volume I from The Anti-Head (L'Antitête)
Max Ernst
Etching, aquatint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 161) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 115) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 71) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching, aquatint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Volume I from a three volume illustrated book · 1947
Museum of Modern Art

Plate (page 137) from Monsieur Aa l'antiphilosophe: Volume I from L'Antitête
Max Ernst
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Wifredo Lam
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Victor Brauner
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
David Hare
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Variant of plate (page 49) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate from Le Surréalisme en 1947
Kay Sage
Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Plate (page 73) from Minuits pour géants: Volume II from L'Antitête
Yves Tanguy
Etching and aquatint from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Le Surréalisme en 1947
Julio de Diego
Illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object · 1947
Museum of Modern Art

Variant of plate (page 101) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching with watercolor and ink additions from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 95) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Variant of plate (page 95) from Mr. Aa the Anti-Philosopher (Monsieur Aa l'antiphilosophe): Volume I from The Anti-Head (L'Antitête)
Max Ernst
Etching, aquatint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 51) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate (page 71) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)
Joan Miró
Etching, drypoint, and pochoir from an illustrated book with 46 etchings (23 with aquatint, 23 with pochoir, eight with drypoint, and eight with watercolor and ink additions) · 1947
Museum of Modern Art

Plate 6 of 9, from the illustrated book, He Disappeared into Complete Silence, first edition (Example 1)
Louise Bourgeois
Engraving · 1947
Museum of Modern Art

Chair and Baptistery (Sedia e Battistero) from Six Etchings by Giuseppe Viviani (Sei Incisioni di Giuseppe Viviani)
Giuseppe Viviani
One from an illustrated book with six etchings · 1947
Museum of Modern Art

Leaf, Fig, and Sea (Foglia, fico e mare) from Six Etchings by Giuseppe Viviani (Sei Incisioni di Giuseppe Viviani)
Giuseppe Viviani
One from an illustrated book with six etchings · 1947
Museum of Modern Art

Plate 2 of 9, from the illustrated book, He Disappeared into Complete Silence, first edition (Example 1)
Louise Bourgeois
Engraving · 1947
Museum of Modern Art