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Artworks

The Actor Arashi Hinasuke I as Watanabe Choshichi Tonau in the Play Tokimekuya O-Edo no Hatsuyuki (Thriving Now: The First Snow of Edo), Performed at the Morita Theater from the First Day of the Eleventh Month, 1780
Katsukawa Shunshō
Color woodblock print; chuban · 1775
Art Institute of Chicago

Parody of the Letter-Reading Scene in Chushingura
Katsukawa Shunchô
Color woodblock print; hashira-e · 1775
Art Institute of Chicago

Project for a Ceiling Fresco: Leda and the Swan
Francesco Saverio Mergolo, Italian
Brush and grey wash, pen and brown ink, graphite on paper · 1775
Cooper Hewitt, Smithsonian Design Museum

Design for a Doorway
Flaminio Innocenzi Minozzi, Italian
Pen and ink, brush and grey washes, black chalk on paper · 1775
Cooper Hewitt, Smithsonian Design Museum

Kneeling Figures
Giuseppe Passeri, Italian
Red and white chalk on rough gery paper · 1775
Cooper Hewitt, Smithsonian Design Museum

Design for an altar of the Virgin
Carlo Marchionni, Italian
Pen and sepia ink, brush and gray watercolor on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum

Elevation of a Triumphal Arch
Giuseppe Valadier, Italian
Black chalk, brush and wash on paper · 1775
Cooper Hewitt, Smithsonian Design Museum

A Panel from a Porticoes Series
Jean-Baptiste Oudry
Wool and silk, slit and double interlocking tapestry weave · 1775
Art Institute of Chicago

Sitting Dog
Giovanni Domenico Tiepolo
brush on ink, paper · 1775
Rijksmuseum

Visiting (Kayoi), from the series "Floating World Versions of the Seven Komachi (Ukiyo Nana Komachi)"
Torii Kiyonaga
Color woodblock print; chuban · 1775
Art Institute of Chicago
Onoe Matsusuke I as Ebisu, from The Stand-In Seven Gods of Good Fortune
Katsukawa Shunshō
color woodblock print · 1775
Cleveland Museum of Art
Ichikawa Danjuro V as a Traveller Beside a Clump of Iris
Katsukawa Shunshō
color woodblock print · 1775
Cleveland Museum of Art
Ichimura Uzaemon IX as Shingen in “A String of Prayer Beads Shaken at a Ribbon of Waterfall”
Katsukawa Shunshō
color woodblock print · 1775
Cleveland Museum of Art

Man's Jifu (Semiformal Court Robe)
Manchu
Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775
Art Institute of Chicago

Book: Of the Nature of the Gods
Cicero
Paper · 1775
The Metropolitan Museum of Art

Brisé fan with depiction of allegorical figure of Music
Francesco Bartolozzi
Pierced, gilded, and painted ivory; painted paper; printed and painted silk ribbon; glass · 1775
The Metropolitan Museum of Art
Portrait of a Woman
Maximilien Villers
watercolor on ivory in a gilt metal frame · 1775
Cleveland Museum of Art

Writing table
David Roentgen
rosewood (wood), wood (plant material), bronze (metal), rosewood (wood), oak (wood) · 1775
Rijksmuseum

Game table
David Roentgen
Oak and walnut, veneered with mahogany, maple, holly (the last two partially stained); iron, steel, brass, gilt bronze; felt and partially tooled and gilded leather · 1775
The Metropolitan Museum of Art

Sir Joseph Banks
Anne Seymour Damer
Wax on glass · 1775
Art Institute of Chicago

Portrait of James Grant
George Engleheart
Watercolor on ivory · 1775
Art Institute of Chicago

Portrait of Miss Braddon
George Engleheart
Watercolor on ivory · 1775
Art Institute of Chicago

Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne
John Flaxman
Pen and black ink, brush and gray wash, on gray paper · 1775
The Metropolitan Museum of Art

Hector Chiding Paris
John Flaxman
Pen and black ink, over traces of graphite, on ivory laid paper · 1775
Art Institute of Chicago