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Artworks

Table of contents from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Return Home (Return at Night) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan
Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs) · 1957
Museum of Modern Art

Summer Visitors (Datschniki) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

In the Kitchen (The Diary) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Title page from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Morning (The Room) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

A Family of Merchants from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan
One from a portfolio of twenty-eight lithographs · 1957
Museum of Modern Art

Plate (folio 3) from The Psalm Book
Charles Knowles
Linoleum cut, printed in color · 1957
Museum of Modern Art

Plate (folio 5) from The Psalm Book
Charles Knowles
Linoleum cut, printed in color · 1957
Museum of Modern Art

Plate (folio 9) from The Psalm Book
Charles Knowles
Linoleum cut, printed in color · 1957
Museum of Modern Art

Plate (folio 13) from The Psalm Book
Charles Knowles
Linoleum cut, printed in color · 1957
Museum of Modern Art

Plate (folio 11) from The Psalm Book
Charles Knowles
Linoleum cut, printed in color · 1957
Museum of Modern Art

Plate (folio 15) from The Psalm Book
Charles Knowles
Linoleum cut, printed in color · 1957
Museum of Modern Art

Plate (folio 7) from The Psalm Book
Charles Knowles
Linoleum cut, printed in color · 1957
Museum of Modern Art

Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró
Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching · 1957
Museum of Modern Art

Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching · 1957
Museum of Modern Art

Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró
Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching · 1957
Museum of Modern Art

Plate III from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching · 1957
Museum of Modern Art

Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró
Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching · 1957
Museum of Modern Art