Database / Artworks
Artworks
Old Man in Three Quarter View, Old Man with a Beard and Long Hair, Old Man with a Beard, and Old Man with a Beard
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Old Man with a Book, Old Man with His Hat on His Forehead, The Mathematician, Old Man with a Beard
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Old Man with a Beard and a Bare Head, Turk Seen from Behind, Turk with a Turban, Turk Seen from Behind
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Title Page, Portrait of Giandomenico Tiepolo, Profile of an Old Man, and Old Man with a Turban
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Profile of an Old Man, Turk Seen from the Front, Turk with Fur Hat, and Old Man with a Beard
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Old Man Looking Downwards, Old Man Seen from the Front, Profile of an Old Man with a Beard, Old Man in a Striped Robe
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Turk Seen from Behind, Three-Quarter View of an Old Man with a Beard, Bearded Old Man with a Hat, Profile of an Old Man with a Hat
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Old Man with a Conical Hat, Old Man with a Hat, Old Man with a Beard, Bearded Old Man with a Cap
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Old Man with a Beard, Bearded Old Man with a Hat, Old Man with Decorative Cap
Giovanni Domenico Tiepolo
Four etchings on ivory laid paper · 1775
Art Institute of Chicago
Image of St. Blaise
Francesco Saverio Mergolo, Italian
Brush and gray watercolor, pen and black ink, graphite on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Funeral Decorations for King Louis XVI of France
Giuseppe Barberi, Italian
Pen and brown ink, brush and brown wash on lined off-white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Head of a dolphin
Filippo Marchionni, Italian
Pen and ink, brush and gray watercolor on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Studies for the Entombment of Christ
Giuseppe Passeri, Italian
Red and white chalk on blue paper · 1775
Cooper Hewitt, Smithsonian Design Museum
The Immaculate Conception
Giovanni Domenico Tiepolo, Italian
Oil on canvas · 1775
Cooper Hewitt, Smithsonian Design Museum
Project for a Ceiling
Giuseppe Bernardino Bison, Italian
Pen and ink on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Oval snuffbox with circular portrait miniature
Henry Spicer
Tortoiseshell, chased gold, enamel on copper · 1775
Cooper Hewitt, Smithsonian Design Museum
St. John the Baptist
Francesco Saverio Mergolo, Italian
Brush and wash, pen and ink on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Tureen and Stand
James Giles, British
soft paste porcelain, vitreous enamel, gold · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for Allegory of Sculpture
Giacomo Zampa, Italian
Black and white crayon on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Three sketches
Carlo Marchionni, Italian
Pen and ink on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Ornamental panel
Jean-Siméon Rousseau
Pen and black ink, brush and watercolor, ruled border (at left only) on white laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Studies for a Kneeling Monk
Giuseppe Passeri, Italian
Red and white chalk on blue paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Cup and Saucer (One of a Pair)
François-Marie Barrat (oncle), active 1769-1791; 1795-1796
soft paste porcelain, vitreous enamel, gold · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Door Frame
Carlo Marchionni, Italian
Black crayon, black wash, graphite on paper · 1775
Cooper Hewitt, Smithsonian Design Museum