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Artworks

843 records
French Gentleman Gratifying His Hatred of Mr. Bull
French Gentleman Gratifying His Hatred of Mr. Bull
John Leech, English
Watercolor and pen and brown ink, over graphite, on cream wove paper · 1837
Art Institute of Chicago
The Bells of Saint Stephens
The Bells of Saint Stephens
John Leech, English
Watercolor and pen and brown ink, over graphite, on cream wove paper · 1837
Art Institute of Chicago
John Bull and Uncle Sam
John Bull and Uncle Sam
John Leech, English
Graphite · 1837
The Metropolitan Museum of Art
Monumental Sculpture in a Moonlit Park
Monumental Sculpture in a Moonlit Park
Giuseppe Bernardino Bison, Italian
black chalk with blue gouache, heightened with white gouache · 1837
Cleveland Museum of Art
King Charles IV of Spain
King Charles IV of Spain
Eugenio Lucas y Padilla
Watercolor, with touches of pen and black ink, and traces of black crayon, on ivory watercolor paper · 1837
Art Institute of Chicago
Study
Study
Jean-Auguste-Dominique Ingres
Graphite on cream wove paper, laid down on white wove paper, hinged on gray laid paper with blue fibers · 1837
Art Institute of Chicago
Bonnet Veil
Bonnet Veil
Sara Russ
Cotton, machine-made net; embroidered with linen in cross, half cross, darning, overcast, and wave filling stitches; edged with cotton, machine-made picots · 1837
Art Institute of Chicago
Portrait of Mr. Delvalle
Portrait of Mr. Delvalle
Claude Marie Dubufe
Oil on canvas · 1837
Art Institute of Chicago
Monumental Sculpture in a Moonlit Park
Monumental Sculpture in a Moonlit Park
Giuseppe Bernardino Bison
black chalk with blue gouache, heightened with white gouache · 1837
Cleveland Museum of Art
September – Cockney Sportsmen from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
September – Cockney Sportsmen from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1837
Art Institute of Chicago
May – Beating the Bounds from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
May – Beating the Bounds from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1837
Art Institute of Chicago
January – Last Year's Bills from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
January – Last Year's Bills from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1837
Art Institute of Chicago
Composition au chapeau
Composition au chapeau
Hippolyte Bayard
Gelatin silver print, No. 7 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965) · 1837
Art Institute of Chicago
Jeanne d'Arc (Joan of Arc)(Furnishing Fabric)
Jeanne d'Arc (Joan of Arc)(Furnishing Fabric)
Marie Christine d'Orléans
Cotton, plain weave; copperplate printed · 1837
Art Institute of Chicago
Shiki no sugatami (0016)
Shiki no sugatami (0016)
Utagawa Kunisada I (Toyokuni III)
Color woodblock printed book, 3 volumes · 1837
Art Institute of Chicago
The Dying Tecumseh
The Dying Tecumseh
Ferdinand Pettrich
marble with painted copper alloy tomahawk · 1837
Smithsonian American Art Museum
Bird Nesting
Bird Nesting
Emanuel Gottlieb Leutze
oil on canvas · 1837
Smithsonian American Art Museum
St. Nicholas
St. Nicholas
Robert Walter Weir
oil on wood · 1837
Smithsonian American Art Museum
Senator William Campbell Preston
Senator William Campbell Preston
Hiram Powers
plaster · 1837
Smithsonian American Art Museum
No Heart (Nan-che-ning-ga)
No Heart (Nan-che-ning-ga)
Charles Bird King
oil on wood · 1837
Smithsonian American Art Museum
James Barnett Dodson
James Barnett Dodson
Emanuel Gottlieb Leutze
watercolor on ivory · 1837
Smithsonian American Art Museum
Martin Van Buren
Martin Van Buren
Ferdinand Pettrich
plaster · 1837
Smithsonian American Art Museum
A Country Woman
A Country Woman
Hiram Powers
plaster · 1837
Smithsonian American Art Museum
The Tooth Puller
The Tooth Puller
Benard and Frey
Lithograph on white wove paper · 1837
Art Institute of Chicago
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