Database / Artworks
Artworks
Study for Marphise and the Mistress of Pinabel
Eugène Delacroix
Graphite on tan wove paper, tipped onto board · 1852
Art Institute of Chicago
Landscape with Shepherd
Robert S. Duncanson
Oil on canvas · 1852
The Metropolitan Museum of Art
Deliverance of the Daughters of Daniel Boone and Callaway, plate two from Histoire des Premiere Colons d'Amerique
Karl Bodmer
Tint lithograph on ivory wove paper · 1852
Art Institute of Chicago
Letter of Congratulations to Karna Martensdottir
Unknown Artist
Watercolor, over graphite, heightened with gum arabic, on cream wove paper · 1852
Art Institute of Chicago
Burning of the Henry Clay Near Yonkers–While on Her Trip From Albany to New York on Wednesday Afternoon July 28th, 1852.–The rapid spread of the flames forced the passengers into the water. Mothers and children, husbands and wives, brothers and sisters were drowned together, whilst trying to save each other. Little children buffetted the waves in vain for a few moments, and then sunk to rise no more. Persons on board about 500 of which number nearly 100 are supposed to have perished.
Nathaniel Currier
Hand-colored lithograph · 1852
The Metropolitan Museum of Art
Brief aan anoniem
Nicaise de Keyser
pen on paper, ink · 1852
Rijksmuseum
Lezende jongeman in een stoel
Paul Adolphe Rajon
etching on paper · 1852
Rijksmuseum
Letter of Congratulations to Karna Martensdottir
Unknown Artist
Watercolor, over graphite, heightened with gum arabic, on cream wove paper · 1852
Art Institute of Chicago
General Winfield Scott
Robert Walter Weir
Oil on canvas · 1852
The Metropolitan Museum of Art
Soldiers under a Tree
Gustave Doré
Pen and black ink, with brush and gray wash and touches of scraping, heightened with touches of white gouache, on lunette-shaped tan card, laid down on tan board · 1852
Art Institute of Chicago
Sir Lancelot Approaching the Castle of Astolat
Gustave Doré
Gouache with pen and black ink, heightened with lead white (partially discolored), on cream wove paper prepared with a brown ink ground · 1852
Art Institute of Chicago
Library Table
Alexander Jackson Davis
Oak, walnut, cherry, poplar · 1852
The Metropolitan Museum of Art
Young Man in Athletic Outfit
Oliver H. Willard
salted paper print from wet collodion negative · 1852
Cleveland Museum of Art
Godesberg
James Hart
Oil on wove paper · 1852
The Metropolitan Museum of Art
General Winfield Scott
Robert Walter Weir
Oil on canvas · 1852
The Metropolitan Museum of Art
Kwitantie voor Carl Joseph Fodor
Louis Gallait
writing (processes) on ink, paper · 1852
Rijksmuseum
Letter of Congratulations to Karna Martensdottir
Unknown Urhobo Artist
Watercolor, over graphite, heightened with gum arabic, on cream wove paper · 1852
Art Institute of Chicago
Seated Woman with Birds
James Carroll Beckwith
Colored chalks and pastel on grey wove paper · 1852
The Metropolitan Museum of Art
L'Estacade à Paris
Johan Barthold Jongkind
Graphite · 1852
The Metropolitan Museum of Art
Englishmen
Utagawa Yoshikazu
Woodblock print; ink and color on paper · 1852
The Metropolitan Museum of Art
Seated Woman with Birds
Carroll Beckwith
Colored chalks and pastel on grey wove paper · 1852
The Metropolitan Museum of Art
Kwitantie voor Carl Joseph Fodor
Louis Gallait
writing (processes) on ink, paper · 1852
Rijksmuseum
Les-Parents-Terribles series: Here is the little Dancer
Paul Gavarni
Lithograph in black on ivory wove paper · 1852
Art Institute of Chicago
Les Propos de Thomas Vireloque: Misere et corde - first speech, then...
Paul Gavarni
Lithograph in black on ivory wove paper · 1852
Art Institute of Chicago