Database / Artworks
Artworks
The Diligence in the Alps
Thomas Allom
Brush and brown wash, heightened with touches of lead white, over traces of graphite, on ivory wove paper · 1824
Art Institute of Chicago
The Lost Receipt
David Wilkie
drypoint · 1824
Cleveland Museum of Art
Mrs. Thomas Brewster Coolidge
Chester Harding
Oil on canvas · 1824
The Metropolitan Museum of Art
Medal: Lieutenant General T. J. Jackson
Armand Auguste Caqué
bronze · 1824
Cleveland Museum of Art
Design for a Painted Porcelain Plate, Les Gémeaux (Gemini) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Map sampler
Lucy C. Berry
embroidery & stitching, map sampler — medium: silk embroidery, watercolor paint, silk foundation technique: embroidered in stem, satin, laid, and back stitches on plain weave, painted label: silk embroidered with silk in stem, satin, laid, and back stitches, with watercolor paint · 1824
Cooper Hewitt, Smithsonian Design Museum
Galerie métallique des grands hommes français (Great Men of France)
Jacques-Édouard Gatteaux, French
metalwork, decorative arts, medal — cast bronze · 1824
Cooper Hewitt, Smithsonian Design Museum
Ice Cream Cup (Tasse à Glace), from a Dessert Service
Sèvres Porcelain Manufactory, French, established 1756
ceramics, decorative arts, cup — hard paste porcelain, vitreous enamel, gold · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Sagitaire (Sagittarius) from le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown, black wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled boarder in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Scorpion (Scorpio) from le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown, black wash, white gouache, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, image bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Verseau (Aquarius) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, graphite on cream laid paper mounted on cream laid paper · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, L'Écrevisse (Cancer) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, white gouache, red crayon, pink, tan watercolor, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Album Cover Design for Le Zodiaque Travesti (The Farcical Zodiac)
Jean Charles Develly, French
ceramics, document — pen and brown ink on cream laid paper · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Poisson (Pisces) from Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Title Page Design for Le Zodiaque Travesti (Farcical Zodiac)
Jean Charles Develly, French
ceramics, drawing — brush and light brown wash, pink, tan watercolor, white gouache, pen and brown, black ink, red crayon, graphite on cream laid paper · 1824
Cooper Hewitt, Smithsonian Design Museum
Textile
John Marshall & Sons
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved roller on plain weave label: printed by engraved roller on cotton plain weave · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Capricorne (Capricorn) from le Zodiac Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, white gouache, pink, tan watercolor, red crayon, graphite on cream laid paper mounted on cream laid paper, image bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Bélier (Aries) from Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown, black wash, white gouache, pink, tan watercolor, red crayon, graphite on cream laid paper, mounted on cream laid paper, bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Taureau (Taurus) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, La Vierge (The Virgin) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown/black ink, brush and brown/black wash, pink/tan watercolor, white gouache, graphite on cream laid paper, mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, La Balance (Libra) from le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, white gouache, pink, tan watercolor, red crayon, graphite on cream laid paper mounted on cream laid paper, image bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Les Prunes et Pruneaux (Plums and Prunes) for the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, graphite on cream laid paper; circular border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum