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Artworks

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Title Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with stipple and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Medal
John Bacon, the elder
Bronze · 1819
The Metropolitan Museum of Art

Tekenles voor jonge kinderen
JR
brush on ink, paper · 1819
Rijksmuseum

Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel John Egbert Jones
Oil on mahogany panel · 1819
Art Institute of Chicago

Brief aan anoniem
Diederik Jan Singendonck
writing (processes) on paper, ink · 1819
Rijksmuseum

Joan of Arc Imprisoned in Rouen
Pierre Henri
Pen and brown ink, watercolor, and wash on two sheets of laid paper, mounted together on a sheet of laid paper · 1819
The Metropolitan Museum of Art

Portfolio Cover for Picturesque Views of American Scenery, No. I
John Henry Hill
Letterpress on blue wove paper · 1819
Art Institute of Chicago

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Title Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with stipple and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Schetsboek met 52 bladen
Willem Hendrik Schmidt
brush on watercolor (paint), leather, pencil, ink, paper, cardboard, chalk · 1819
Rijksmuseum

Zelfportret van Willem Hendrik Schmidt
Willem Hendrik Schmidt
paper, pencil · 1819
Rijksmuseum

Portret van Cornelis Cels
Willem Hendrik Schmidt
paper, pencil · 1819
Rijksmuseum

Figuren uit Don Quichot
Willem Hendrik Schmidt
chalk, paper · 1819
Rijksmuseum

Twee zittende vrouwen met een kruik
Willem Hendrik Schmidt
brush on paper, watercolor (paint), pencil · 1819
Rijksmuseum

Geestelijke die een brief leest
Willem Hendrik Schmidt
pencil, paper · 1819
Rijksmuseum