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Artworks

197 records
The Blindfolding of Cupid
The Blindfolding of Cupid
George Romney
pen and brown ink on laid paper · 1797
National Gallery of Art
Village along a River Estuary in Devon
Village along a River Estuary in Devon
Thomas Girtin
watercolor over graphite on oatmeal paper · 1797
National Gallery of Art
Two Greek Classical Figures
Two Greek Classical Figures
John Flaxman
graphite on laid paper · 1797
National Gallery of Art
The Prison Visit
The Prison Visit
Giovanni Domenico Tiepolo
pen and brown ink with brown wash over charcoal on laid paper · 1797
National Gallery of Art
La filiacion (The Filiation)
La filiacion (The Filiation)
Francisco Goya
etching and aquatint on laid paper [proof before letters] · 1797
National Gallery of Art
Ni asi la distingue  (Even Thus He Cannot Make Her Out)
Ni asi la distingue (Even Thus He Cannot Make Her Out)
Francisco Goya
etching, aquatint and drypoint on laid paper [proof before letters] · 1797
National Gallery of Art
Al Conde Palatino (To the Count Palatine)
Al Conde Palatino (To the Count Palatine)
Francisco Goya
etching, aquatint, drypoint and burin on laid paper [proof before letters] · 1797
National Gallery of Art
Elizabeth, Countess of Effingham
Elizabeth, Countess of Effingham
Benjamin West
oil on canvas · 1797
National Gallery of Art
Feyge Dam, with part of the Fish Market at Amsterdam
Feyge Dam, with part of the Fish Market at Amsterdam
Thomas Rowlandson
hand-colored etching · 1797
National Gallery of Art
Place de Meir at Antwerp
Place de Meir at Antwerp
Thomas Rowlandson
colored aquatint · 1797
National Gallery of Art
Place de Meir at Antwerp
Place de Meir at Antwerp
Thomas Rowlandson
hand-colored etching and aquatint · 1797
National Gallery of Art
Tal para qual (Two of a Kind)
Tal para qual (Two of a Kind)
Francisco Goya
etching retouched with stumped black chalk on laid paper [proof before letters] · 1797
National Gallery of Art
Group of People on a Terrace
Group of People on a Terrace
Jacob Philippe Hackert
Pen and brown ink and brush and brown wash, with graphite and traces of white gouache, on cream laid paper, laid down on cream laid paper · 1797
Art Institute of Chicago
Glorious Defeat of the Dutch Navy Octr 10 1797, by Admirals Lord Duncan and Sir Richard Onslow, with a View Drawn on the Spot of the Six Dutch Line of Battle Ships Captured and Brought into Yarmouth
Glorious Defeat of the Dutch Navy Octr 10 1797, by Admirals Lord Duncan and Sir Richard Onslow, with a View Drawn on the Spot of the Six Dutch Line of Battle Ships Captured and Brought into Yarmouth
Thomas Rowlandson
Etching and watercolour on paper · 1797
Tate
Queen Elizabeth and Essex (after Henry Fuseli)
Queen Elizabeth and Essex (after Henry Fuseli)
William Blake
Engraving on paper · 1797
Tate
King John Absolved by Pandulph (after Henry Fuseli)
King John Absolved by Pandulph (after Henry Fuseli)
William Blake
Line engraving and etching on paper · 1797
Tate
Wat Tyler and the Tax-Gatherer (after Henry Fuseli)
Wat Tyler and the Tax-Gatherer (after Henry Fuseli)
William Blake
Line engraving and etching on paper · 1797
Tate
Alfred and the Neat-Herd’s Wife (after Henry Fuseli)
Alfred and the Neat-Herd’s Wife (after Henry Fuseli)
William Blake
Line engraving and etching on paper · 1797
Tate
Croyland Abbey, engraved by B. Howlett
Croyland Abbey, engraved by B. Howlett
Thomas Girtin
Engraving on paper · 1797
Tate
Marlow Bridge, Buckinghamshire, engraved by J. Walker
Marlow Bridge, Buckinghamshire, engraved by J. Walker
Thomas Girtin
Engraving on paper · 1797
Tate
View of Friern House, the Seat of John Bacon, engraved by W. Knight
View of Friern House, the Seat of John Bacon, engraved by W. Knight
Edward Dayes
Engraving on paper · 1797
Tate
Bamburgh Castle, Northumberland
Bamburgh Castle, Northumberland
Thomas Girtin
Watercolour, gouache and graphite on paper · 1797
Tate
Jane Elizabeth, Countess of Oxford
Jane Elizabeth, Countess of Oxford
John Hoppner
Oil paint on wood · 1797
Tate
A Lake and Mountains ?in Westmorland
A Lake and Mountains ?in Westmorland
Thomas Girtin
Gouache, graphite and watercolour on paper · 1797
Tate
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