Database / Artworks
Artworks
Nymph and Satyr
Ciro Ferri, Italian
Black chalk on ivory laid paper · 1654
Art Institute of Chicago
Moses Tapping the Rock
Ciro Ferri, Italian
Black chalk, with brush and brown wash, on tan laid paper, laid down on ivory laid paper · 1654
Art Institute of Chicago
Panel Design with the Virgin Mary, Jesus, and Saint John
Jean Le Pautre, French
print — etching on laid paper · 1654
Cooper Hewitt, Smithsonian Design Museum
Title Page
Jean Le Pautre, French
print — etching on laid paper · 1654
Cooper Hewitt, Smithsonian Design Museum
Casket
Frances Basnet
embroidery & stitching, casket — medium: wood, silk, glass beads technique: wooden casket covered with satin fabric and embroidered with glass beads label: wooden casket covered with silk satin and embroidered with glass beads · 1654
Cooper Hewitt, Smithsonian Design Museum
Two Half Panel Designs with a Landscape
Jean Le Pautre, French
print — etching on laid paper · 1654
Cooper Hewitt, Smithsonian Design Museum
Amsterdam Harbor Scene
Reinier Nooms, called Zeeman
oil on canvas · 1654
National Gallery of Art
The Circumcision in the Stable
Rembrandt van Rijn
etching on laid paper · 1654
National Gallery of Art
The Adoration of the Shepherds
Giuseppe Passeri
pen and brown ink with brown wash over red chalk, heightened with white on laid paper, squared for transfer · 1654
National Gallery of Art
The Healing of the Possessed Boy in a Procession of the Volto Santo
Elisabetta Sirani
pen and brown ink and brown washes heightened with white over graphite on laid paper · 1654
National Gallery of Art
Christ at Emmaus: the Larger Plate
Rembrandt van Rijn
etching, burin, and drypoint · 1654
National Gallery of Art
The Adoration of the Shepherds: with the Lamp
Rembrandt van Rijn
etching (and burin where biting failed in state i) · 1654
National Gallery of Art
The Presentation in the Temple in the Dark Manner
Rembrandt van Rijn
etching and drypoint · 1654
National Gallery of Art
Christ at Emmaus: the Larger Plate
Rembrandt van Rijn
etching, burin and drypoint · 1654
National Gallery of Art
The Virgin and Child with the Cat and Snake
Rembrandt van Rijn
etching · 1654
National Gallery of Art
The Flight into Egypt: Crossing a Brook
Rembrandt van Rijn
etching and drypoint · 1654
National Gallery of Art
Christ at Emmaus: the Larger Plate
Rembrandt van Rijn
etching, burin and drypoint · 1654
National Gallery of Art
The Entombment
Rembrandt van Rijn
etching, drypoint and burin · 1654
National Gallery of Art
The Adoration of the Shepherds: with the Lamp
Rembrandt van Rijn
etching · 1654
National Gallery of Art
The Circumcision in the Stable
Rembrandt van Rijn
etching · 1654
National Gallery of Art
The Golf Player
Rembrandt van Rijn
etching · 1654
National Gallery of Art
Christ Seated Disputing with the Doctors
Rembrandt van Rijn
etching · 1654
National Gallery of Art
Christ Returning from the Temple with His Parents
Rembrandt van Rijn
etching and drypoint · 1654
National Gallery of Art
The Entombment
Rembrandt van Rijn
etching, drypoint and burin · 1654
National Gallery of Art