Database / Artworks
Artworks

Maori Woman in the Forest
Paul Gauguin
Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper · 1894
Art Institute of Chicago

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)
Paul Gauguin
Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper · 1894
Art Institute of Chicago

Mahana atua (Day of the God)
Paul Gauguin
Wood-block print in black ink with touches of solvent-thinned blue, red, and orange watercolors (recto); wood-block print, printed twice in brown and brown-black ink (a maculature impression) (verso), on cream Japanese paper · 1894
Art Institute of Chicago

A Fisherman Drinking Beside His Canoe
Paul Gauguin
Wood-block print, printed twice in brown and black ink, on cream wove Japanese paper laid down on cream wove Japanese paper · 1894
Art Institute of Chicago

Oviri
Paul Gauguin
Wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso) · 1894
Art Institute of Chicago

Te faruru (Here We Make Love), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan) · 1894
Art Institute of Chicago

Oviri
Paul Gauguin
Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso) · 1894
Art Institute of Chicago

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)
Paul Gauguin
Wood-block print, printed twice in black ink, on cream Japanese paper · 1894
Art Institute of Chicago

Tahitian Idol—the Goddess Hina
Paul Gauguin
Wood-block print in black ink, over brush and solvent thinned and selectively applied ocher, reddish-orange and touches of green wax-and-resin-based media, on cream wove paper · 1894
Art Institute of Chicago

Te atua (The God), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)
Paul Gauguin
Wood-block print in black ink with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper · 1894
Art Institute of Chicago

Te atua (The God), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago

Auti te pape (Women at the River), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago

Seated Tahitian Youth
Paul Gauguin
Watercolor and graphite on irregularly shaped cream wove Japanese paper, laid down on ivory laid paper with brown and blue fibers, laid down on cream wove paper · 1894
Art Institute of Chicago

Mahana atua (Day of the God)
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1894
Art Institute of Chicago

Ia orana Maria (Hail Mary)
Paul Gauguin
Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago

The Woman with Figs
Paul Gauguin
Etching with open bite applied with a reed pen on a zinc plate, in dark green ink with selective wiping, on cream wove Japanese paper (a proofing paper) · 1894
Art Institute of Chicago

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)
Paul Gauguin
Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper · 1894
Art Institute of Chicago

Vase
Theophilus Anthony Brouwer Jr., American, d. 1932
Glazed earthenware · 1894
Cooper Hewitt, Smithsonian Design Museum

Woman Bathing Her Feet in a Brook
Camille Pissarro
Oil on canvas · 1894
Art Institute of Chicago

Mahana no atua (Day of the God)
Paul Gauguin
Oil on linen canvas · 1894
Art Institute of Chicago

Menu voor het diner ter ere van de publicatie van het boek 'Henri Boutet graveur et pastelliste' door Leon Maillard
Henri Boutet
drypoint on paper · 1894
Rijksmuseum

Evocation (Evocation)
Max Klinger
Etching, engraving, aquatint, and mezzotint · 1894
The Metropolitan Museum of Art

Vin Mariani, 1894
Jules Chéret
1894
Rijksmuseum