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Artworks

706 records
Wall Elevation
Wall Elevation
Frederick Crace, English
Pen and black ink, gray and black watercolors on laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Wall Elevation with Panels of Chinese Figures, for King's Library, Royal Pavilion, Brighton
Wall Elevation with Panels of Chinese Figures, for King's Library, Royal Pavilion, Brighton
Frederick Crace, English
Brush and watercolor, pen and black ink, over graphite on white laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Omezo Ichikawa in the role of Kajiwara Genta
Omezo Ichikawa in the role of Kajiwara Genta
Utagawa Toyokuni, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1815
Cooper Hewitt, Smithsonian Design Museum
Gazebo
Gazebo
Giuseppe Bernardino Bison, Italian
Pen and black ink, brush and pink, red, organge and green watercolor, black chalk on paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Sketch of the Virgin, the Infant, and St. John
Sketch of the Virgin, the Infant, and St. John
Fortunato Duranti, Italian
Brush and dark brown and sepia wash on paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Sun God Being Dragged Into Sky and Preceded By Aurora
Sun God Being Dragged Into Sky and Preceded By Aurora
Felice Giani, Italian
Pen and ink on paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Design for an urn on a stand
Design for an urn on a stand
John Nash
Graphite on white laid paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Chinoiserie Pavilion
Chinoiserie Pavilion
Frederick Crace, English
Pen and black ink, brush and watercolor on white wove paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Design for Wall Decoration for the South Wall of the Entrance Hall, Royal Pavilion, Brighton
Design for Wall Decoration for the South Wall of the Entrance Hall, Royal Pavilion, Brighton
Frederick Crace, English
Graphite on paper · 1815
Cooper Hewitt, Smithsonian Design Museum
Fish Server
Fish Server
Jean-Simon Chaudron
Silver and ivory · 1815
Art Institute of Chicago
Landscape (The Lock)
Landscape (The Lock)
John Constable
Oil on canvas · 1815
Art Institute of Chicago
Italian Scene
Italian Scene
Léopold Robert
oil on fabric · 1815
Cleveland Museum of Art
Panel (Furnishing Fabric)
Panel (Furnishing Fabric)
Philippe Wyngaert
Cotton, plain weave; probably engraved roller printed · 1815
Art Institute of Chicago
Plaisir de l'été (Pleasure of Summer) (Furnishing Fabric)
Plaisir de l'été (Pleasure of Summer) (Furnishing Fabric)
Philippe Wyngaert
Cotton, plain weave; copperplate printed · 1815
Art Institute of Chicago
The Dandy Dressing; The Dandy Dressed
The Dandy Dressing; The Dandy Dressed
Mark Lewis
Handcolored etching on ivory laid paper · 1815
Art Institute of Chicago
Rachel Fanny Antonina Le Despencer
Rachel Fanny Antonina Le Despencer
John Bacon
Marble · 1815
The Metropolitan Museum of Art
Landscape (The Lock)
Landscape (The Lock)
John Constable
Oil on canvas · 1815
Art Institute of Chicago
Empress Komyo (Komyoko), from the series "Three Beautiful Women (San bijin)"
Empress Komyo (Komyoko), from the series "Three Beautiful Women (San bijin)"
Ryuryukyo Shinsai
Color woodblock print; shikishiban, surimono · 1815
Art Institute of Chicago
The Woodcutters' Repast
The Woodcutters' Repast
John Linnell
Black and white chalks on blue wove paper · 1815
Art Institute of Chicago
Fighting Horses
Fighting Horses
Théodore Géricault
watercolor over graphite · 1815
Cleveland Museum of Art
Rachel Fanny Antonina Le Despencer
Rachel Fanny Antonina Le Despencer
John Bacon the Younger
Marble · 1815
The Metropolitan Museum of Art
Slag bij Waterloo, ter ere van Napoleon I Bonaparte, keizer der Fransen
Slag bij Waterloo, ter ere van Napoleon I Bonaparte, keizer der Fransen
Emile Rogat
striking (metalworking) on silver (metal) · 1815
Rijksmuseum
A View in San Lorenzo Fuori le Mura, Rome
A View in San Lorenzo Fuori le Mura, Rome
Gustav Friedrich Hetsch
Pen and brown ink and brush and various brown washes on ivory wove paper, edge-mounted to an ivory laid paper inlay · 1815
Art Institute of Chicago
Napoleon Accompanied by his Good Men, Returning to France on March 1, 1815
Napoleon Accompanied by his Good Men, Returning to France on March 1, 1815
François Gérard
Lithograph in black, with a second tint stone in gray, on ivory wove paper · 1815
Art Institute of Chicago
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