Artworks

A Woman Seated at a Bench on the Avenue du Bois

Arques-la-Bataille

Le Mirliton, no. 29

Section of the Constellation Cygnus

Upon Waking, I Saw the Goddess of the Intelligible, with Her Severe and Hard Profile (Au réveil, j'aperçus la déesse de l'intelligible au profil sévère et dur) from Homage to Goya (Hommage à Goya)

A Strange Juggler (Un Étrange jongleur) from Homage to Goya (Hommage à Goya)

There Were Also Embryonic Beings (Il y eut aussi des êtres embryonnaires) from Homage to Goya (Hommage à Goya)

In My Dream, I Saw in the Sky a Face of Mystery (Dans mon rêve, je vis au ciel un visage de mystère) from Homage to Goya (Hommage à Goya)

A Madman in a Dismal Landscape (Un Fou dans un morne paysage) from Homage to Goya (Hommage à Goya)

The Marsh Flower, a Sad Human Head (La Fleur du marécage, une tête humaine et triste) from Homage to Goya (Hommage à Goya)

Poling the Marsh Hay from Life and Landscape on the Norfolk Broads (London, 1886)

Snipe-Shooting from Life and Landscape on the Norfolk Broads (London, 1886)

A Rushy Shore from Life and Landscape on the Norfolk Broads (1886)

'Twixt Land and Water from Life and Landscape on the Norfolk Broads (London, 1886)

The First Frost from Life and Landscape on the Norfolk Broads (London, 1886)

Setting up the Bow-Net from Life and Landscape on the Norfolk Broads (London, 1886)

Gathering Water-Lilies from Life and Landscape on the Norfolk Broads (London, 1886)

A Reed-Cutter at Work from Life and Landscape on the Norfolk Broads (London, 1886)

Marshman Going to Cut Schoof-Stuff from Life and Landscape on the Norfolk Broads (London, 1886)

Rowing home the Schoof-Stuff from Life and Landscape on the Norfolk Broads (1886)

The Bather

Herod (Herodes) (plate 6) from the portfolio On Death, Part I, Opus XI (Vom Tode, Erster Teil, Opus XI)

The Potato Eaters

Homage to Goya (Hommage à Goya)