Database / Artworks
Artworks
Le Petit Pont, Paris
Charles Méryon
Etching and engraving on tan wove chine, tipped onto ivory laid Japanese paper · 1850
Art Institute of Chicago
Southern Portion of the Rock-cut Temple of Hathor, Abu Simbel
CAMP
salted paper print from calotype negative, Blanquart-Évrard process · 1850
Cleveland Museum of Art
Grand Temple D’Isis, à Philoe (vue générale prise du nord), Nubie
CAMP
Salted paper print, Blanquart-Évrard process · 1850
Cleveland Museum of Art
Handkerchief
Hermione Rosales
Silk, plain weave; embroidered in back, buttonhole, overcast. padded overcast, and padded satin stitches; edged with square knotted netting; embroidered in open buttonhole filling, buttonhole; darned leave, and interlocking lace stitches; woven wheels and half wheels (lacis) · 1850
Art Institute of Chicago
Sunset, Horseshoe Fall - Niagara, No. 292 from the series "Niagara Falls, New York"
George Barker
Albumen print, stereo · 1850
Art Institute of Chicago
Trimming
Han-Chinese
White gauze, embroidered strips · 1850
Art Institute of Chicago
Mrs. James Reid Lambdin (Mary O'Hara Cochran)
James Reid Lambdin
watercolor on ivory · 1850
Smithsonian American Art Museum
Le Petit Pont, Paris
Charles Méryon
Etching and engraving on greenish-ivory laid paper · 1850
Art Institute of Chicago
Le Petit Pont, Paris
Charles Méryon
Etching and engraving on tan wove chine, laid down on ivory wove paper · 1850
Art Institute of Chicago
California
Hiram Powers
marble · 1850
Smithsonian American Art Museum
Flood of Calaveras!
Manuel Manilla
Photo relief etching on yellow wove paper, discolored · 1850
Art Institute of Chicago
The Calm Evening
Manuel Manilla
Double-sided relief engraving on typemetal on paper · 1850
Art Institute of Chicago
Calavera Tapatia
Manuel Manilla
Double-sided relief print on paper · 1850
Art Institute of Chicago
Calavera of Pouring Forth
José Guadalupe Posada
Double-sided relief engravings on zinc and typemetal on paper · 1850
Art Institute of Chicago
I Am Don Juan Tenorio
Manuel Manilla
Relief engraving on typemetal on paper · 1850
Art Institute of Chicago
Calavera Tapatia
Manuel Manilla
Double-sided relief print on paper · 1850
Art Institute of Chicago
Modern French Glass Carafe
Emile Gallé, French
stained and polychromed glass · 1850
Smithsonian American Art Museum
Cordial Glass
Emile Gallé, French
polychromed glass · 1850
Smithsonian American Art Museum
El cancionero popular, hoja num. 19 (The Popular Songbook, Sheet No. 19)
Manuel Manilla
Relief print on paper · 1850
Art Institute of Chicago
La perra brava (The Fierce Dog)
Manuel Manilla
Photo relief etching with relief engraving on tan wove paper · 1850
Art Institute of Chicago
Legitimos versos de Lino Zamora (Legitimate Verses of Lino Zamora)
José Guadalupe Posada
Relief engraving on typemetal on paper · 1850
Art Institute of Chicago
Lamentos que dirique (Laments That Direct)
Manuel Manilla
Relief print on paper · 1850
Art Institute of Chicago
El novio de mil mujeres les da dinero y placeres (The Boyfriend of a Thousand Women Gives Them Money and Pleasure)
Manuel Manilla
Relief print on paper · 1850
Art Institute of Chicago
Pleito de la suegra con su yerno (Fight of the Mother-in-Law With Her Son-in-Law)
Manuel Manilla
Relief print on paper · 1850
Art Institute of Chicago