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Artworks

636 records
A Boy with a Dog
A Boy with a Dog
Marco Alvise Pitteri
Engraving over etching on ivory laid paper · 1750
Art Institute of Chicago
Design for a gateway
Design for a gateway
Filippo Marchionni, Italian
Graphite, pen and black, brush and wash on paper; verso: black chalk · 1750
Cooper Hewitt, Smithsonian Design Museum
Unfinished Elevation of an Altar
Unfinished Elevation of an Altar
Filippo Marchionni, Italian
Graphite, pen and ink on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Altar with Tabernacle and Two Priests in Conversation
Altar with Tabernacle and Two Priests in Conversation
Filippo Marchionni, Italian
Pen and brown ink, brush and gray wash, graphite on white laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for an Incense Boat
Design for an Incense Boat
Filippo Marchionni, Italian
Pen and ink, brush and wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Decoration of a portal in honor of a prelate
Decoration of a portal in honor of a prelate
Paolo Pozzi, Italian
Pen and ink, brush and watercolor on grayDutch paper with blue fibers · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for Elevation of a Window Case
Design for Elevation of a Window Case
Filippo Marchionni, Italian
Black chalk, brush and brown watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Portrait of a Young Woman
Portrait of a Young Woman
Alessandro Longhi
Oil on canvas · 1750
Art Institute of Chicago
Design for a cloth as place of an inscription
Design for a cloth as place of an inscription
Carlo Marchionni, Italian
Graphite, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Road Leading to a Mountainous Town
Road Leading to a Mountainous Town
Carlo Marchionni, Italian
Pen and ink on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
The coat of arms of a prelate
The coat of arms of a prelate
Filippo Marchionni, Italian
Graphite, pen and ink, brush and blue-gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a monument
Design for a monument
Corrado Giaquinto, Italian
Black chalk, pen and brown ink, brush and wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for an Altar: Elevation, with Trompe l'Oeil Plan Below
Design for an Altar: Elevation, with Trompe l'Oeil Plan Below
Carlo Marchionni, Italian
Pen and brown ink, brush and gray, red wash, graphite on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Covered Porringer
Covered Porringer
Claude Laubreaux
Pewter · 1750
Cooper Hewitt, Smithsonian Design Museum
Study for Painting, Mount Olympus
Study for Painting, Mount Olympus
Vito D'Anna, Italian
Pen and black ink, brush and gray wash, white gouache on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Sketches for a tablet
Sketches for a tablet
Carlo Marchionni, Italian
Pen and black ink on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Knife with Porcelain Handle (One of a Pair)
Knife with Porcelain Handle (One of a Pair)
Ferner Workshop, German, active 1720 - 1765
hard paste porcelain, vitreous enamel, steel, gold · 1750
Cooper Hewitt, Smithsonian Design Museum
Knife with Porcelain Handle (One of a Pair)
Knife with Porcelain Handle (One of a Pair)
Ferner Workshop, German, active 1720 - 1765
hard paste porcelain, vitreous enamel, steel, gold · 1750
Cooper Hewitt, Smithsonian Design Museum
A Dance in the Country
A Dance in the Country
Giovanni Domenico Tiepolo
Oil on canvas · 1750
The Metropolitan Museum of Art
Kannon by a Lotus Pond
Kannon by a Lotus Pond
Hakuin Ekaku
Hanging scroll; ink and color on paper · 1750
The Metropolitan Museum of Art
Man's Jifu (Semiformal Court Robe)
Man's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; cuffs trimmed with gilt-metal-strip-wrapped linen couched with silk; sleeves, neck trim, and cuff edging: silk, warp-float faced 7:1 satin weave; neck edging, cuff trim, and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing with triple elements; lined with silk, 4:1 satin damask weave; cuffs lined with silk, warp-float faced 7:1 satin weave; metal buttons · 1750
Art Institute of Chicago
Pair of Staffs (Edan)
Pair of Staffs (Edan)
Yoruba
Ivory, iron, and string · 1750
Art Institute of Chicago
The Departure of Jacob
The Departure of Jacob
François Boucher
Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper · 1750
Cleveland Museum of Art
Landscape with Small Group of Buildings
Landscape with Small Group of Buildings
Guercino
pen and brown ink · 1750
Cleveland Museum of Art
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