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Artworks

600 records
Goldweight with a Geometric Design
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Kuduo vessel
Kuduo vessel
Asante
Brass, pigment · 1700
The Metropolitan Museum of Art
Vestment for a First-Degree Taoist Priest
Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago
Lion and Fly
Lion and Fly
Jean Baptiste Joseph Peter
Bronze · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Sketch of Family Group with Three Seated Women and Young Man Standing
Sketch of Family Group with Three Seated Women and Young Man Standing
Johann Friedrich August Tischbein
Graphite on cream laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Maklouf
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Maklouf
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Viewing a waterfall from a mountain pavilion
Viewing a waterfall from a mountain pavilion
Zhang Li Yin
Hanging scroll; ink and color on silk · 1700
The Metropolitan Museum of Art
Louis XVI Restaurateur de la Liberte Française
Louis XVI Restaurateur de la Liberte Française
Benjamin Du Vivier
Bronze · 1700
Art Institute of Chicago
Louis XVI and Marie Antoinette
Louis XVI and Marie Antoinette
Benjamin Du Vivier
Bronze · 1700
Art Institute of Chicago
Trade Card for W.E. Vaughan, Printseller & Restorer
Trade Card for W.E. Vaughan, Printseller & Restorer
Francesco Bartolozzi
Engraving · 1700
The Metropolitan Museum of Art
Procession of Figures
Procession of Figures
Masaccio
Pen and brown ink, with brush and brown wash, over graphite, on cream wove paper · 1700
Art Institute of Chicago
Portrait of a Gentleman
Portrait of a Gentleman
Christian Friedrich Zincke
Enamel · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Antonietta Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Antonietta Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Return of Agamemnon
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Portrait of Mrs. George Collier
Portrait of Mrs. George Collier
Joshua Reynolds
oil on canvas · 1700
Cleveland Museum of Art
Ganymede with eagle and eaglet
Ganymede with eagle and eaglet
Benvenuto Cellini
Bronze, partially oil-gilt · 1700
The Metropolitan Museum of Art
Child's Head (Recto) Nude Male Figure (Verso)
Child's Head (Recto) Nude Male Figure (Verso)
Antonio da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago
The Return of Joseph
The Return of Joseph
John Michael Rysbrack
Pen and brown ink, brush and brown wash, heightened with white · 1700
The Metropolitan Museum of Art
Seated female figure
Seated female figure
Giovanni Pichler
Sardonyx and gold · 1700
The Metropolitan Museum of Art
Putto Holding Flowers
Putto Holding Flowers
Pellegrino Tibaldi
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on blue laid paper, laid down on blue wove paper · 1700
Art Institute of Chicago
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