Database / Artworks
Artworks
Nocturne: Palaces
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
The Balcony
James McNeill Whistler
Cancelled copper plate · 1879
Art Institute of Chicago
Long Venice
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Fishing Boat
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1879
Art Institute of Chicago
Nocturne: Furnace
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on cream laid paper · 1879
Art Institute of Chicago
Long Lagoon
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1879
Art Institute of Chicago
Ponte del Piovan
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1879
Art Institute of Chicago
La Salute: Dawn
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1879
Art Institute of Chicago
Quiet Canal
James McNeill Whistler
Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1879
Art Institute of Chicago
Lagoon - Noon
James McNeill Whistler
Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper · 1879
Art Institute of Chicago
San Giorgio
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
Profile of a Lady, Seated, Facing Right, Leaning on Left Hand
Paul César Helleu
Drypoint and plate tone on cream laid paper · 1879
Art Institute of Chicago
Five Sketches of a Seated Woman, and a Parasol
Paul César Helleu
Drypoint and plate tone on ivory laid paper · 1879
Art Institute of Chicago
The Bridge, Santa Marta
James McNeill Whistler
Etching and drypoint with foul biting in black ink on cream laid paper · 1879
Art Institute of Chicago
Nocturne: Furnace
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on cream laid paper · 1879
Art Institute of Chicago
Old Battersea Bridge
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
The Piazzetta
James McNeill Whistler
Etching and drypoint with foul biting in black ink on light green laid paper · 1879
Art Institute of Chicago
Studies in Profile
Paul César Helleu
Drypoint on cream laid paper, laid down on blue-green wove card · 1879
Art Institute of Chicago
Wooded Lane at Pontoise
Camille Pissarro
Aquatint and etching in black on off-white wove card · 1879
Art Institute of Chicago
Wooded Lane at Pontoise
Camille Pissarro
Aquatint with etching in black on ivory laid paper · 1879
Art Institute of Chicago
The Balcony
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
Landscape Panorama
Camille Pissarro
Etching and aquatint in black on white wove paper · 1879
Art Institute of Chicago
Setting Sun
Camille Pissarro
Aquatint and drypoint in black on buff laid paper · 1879
Art Institute of Chicago
The Monastery of San Pedro (Our Lady of the Snows)
Frederic Edwin Church
oil on canvas · 1879
Cleveland Museum of Art