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Artworks
Intelligence was Mine! I Became the Buddha, plate 12 of 24
Odilon Redon
Lithograph in black on cream China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
Intelligence was Mine! I Became the Buddha, plate 12 of 24
Odilon Redon
Lithograph in black on thin ivory wove paper · 1896
Art Institute of Chicago
Intelligence was Mine! I Became the Buddha, plate 12 of 24
Odilon Redon
Lithograph in black on light gray China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
Eavesdroppers
William H. Rau
albumen silver prints mounted to stereographic card · 1896
Smithsonian American Art Museum
Savoy Pigeons
James McNeill Whistler
lithograph on paper · 1896
Smithsonian American Art Museum
Too Late
Charles Arthur Fries
oil on canvas · 1896
Smithsonian American Art Museum
Photographing Our Country Cousins
William H. Rau
albumen silver prints mounted to stereographic card · 1896
Smithsonian American Art Museum
Rookwood Portrait Vase
Frederick Laurence Sturgis, active 1895-1904
glazed earthenware · 1896
Smithsonian American Art Museum
Frontispiece for Le mouvement idéaliste en peinture (The Idealistic Movement in Painting) by André Mellerio
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
The Etel River
Adolphe Marie Timothée Beaufrère
Drypoint on ivory laid paper · 1896
Art Institute of Chicago
At the Door of the Mosque
Adolphe Marie Timothée Beaufrère
Drypoint on ivory wove paper · 1896
Art Institute of Chicago
The Mean-Spirited
Adolphe Marie Timothée Beaufrère
Drypoint on ivory laid paper · 1896
Art Institute of Chicago
Eve
Albert Besnard
Etching and drypoint in bistre ink on ivory laid paper · 1896
Art Institute of Chicago
On the Marina, Palermo
George Elbert Burr
pencil on paper · 1896
Smithsonian American Art Museum
Harbor of Palermo
George Elbert Burr
pencil on paper · 1896
Smithsonian American Art Museum
The Last Crusade
Pierre Bonnard
Lithograph in gray on ivory wove paper · 1896
Art Institute of Chicago
Alto from Reggio, Morning
George Elbert Burr
paper · 1896
Smithsonian American Art Museum
Panel
Arthur Silver
Cotton, twill weave with supplementary pile wefts forming cut velvet; block printed · 1896
Art Institute of Chicago
![The Width and Flatness of [the] Frontal [Bone], plate 6 of 6](/api/images/artworks/aic/79707.jpg)
The Width and Flatness of [the] Frontal [Bone], plate 6 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1896
Art Institute of Chicago
Larvae So Bloodless and So Hideous, plate 5 of 6
Odilon Redon
Lithograph on ivory chine laid down on white wove paper · 1896
Art Institute of Chicago
It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1896
Art Institute of Chicago
Larvae So Bloodless and So Hideous, plate 5 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on white wove paper · 1896
Art Institute of Chicago
![The Width and Flatness of [the] Frontal [Bone], plate 6 of 6](https://www.artic.edu/iiif/2/ae29fdf3-2d15-18ca-ec37-f6e4bbf0d226/full/843,/0/default.jpg)
The Width and Flatness of [the] Frontal [Bone], plate 6 of 6
Odilon Redon
Lithograph in black on cream China paper laid down on white wove paper · 1896
Art Institute of Chicago
It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1896
Art Institute of Chicago