Database / Artworks
Artworks

Sketches of Angels and Putti
Daniel Gran
Pen and brown ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Head of Boy Wearing Hat in Profile
Giovanni Battista Piazzetta
Black chalk on blue laid paper · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. V
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. IV
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. IX
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. I
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago

Angel with Putti Carrying Object
Sebastiano Conca
Black chalk, heightened with white chalk, on blue laid paper · 1700
Art Institute of Chicago

Angel with Putti
Sebastiano Conca
Black chalk, heightened with white chalk, on blue laid paper · 1700
Art Institute of Chicago

Moses Drawing Water from the Rock
Charles Le Brun
Brush and gray wash, with touches of green and black chalk, on ivory laid paper, squared in black chalk · 1700
Art Institute of Chicago

Bishop Kneeling in Prayer
Abraham Bloemaert
Pen and brown ink, and brush and brown wash, heightened with lead white (discolored), over graphite on cream laid card, laid down on ivory wove card · 1700
Art Institute of Chicago

Man and Woman Crowned with Laurel
Raphael
Red chalk on cream laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Vision of a Pope
Francesco Campora
Pen and red brown ink with brush and brown wash and gouache, heightened with lead white (partly discolored), over black chalk, squared in black chalk, on ivory laid paper, partially laid down · 1700
Art Institute of Chicago

Head of Christ
Marc Antonio Franceschini, Italian
Red chalk on paper · 1700
Cooper Hewitt, Smithsonian Design Museum

Project for a wall decoration (Female figures and putti support medallion with coat of arms)
Luca Giordano, Italian
Red crayon, blotted and wash, pen and ink on paper · 1700
Cooper Hewitt, Smithsonian Design Museum

Tibor (Jar)
Talavera Poblana
Earthenware and tin-glaze, with cobalt glaze · 1700
Art Institute of Chicago

The Dane
H. Cotta
Lithograph on tan wove paper · 1700
Art Institute of Chicago

Seated Woman Crowned by Angel
Giovanni Battista Tiepolo
Pen and brown ink, with brush and gray wash, over traces of black chalk, on tan wove paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Raising of Lazarus (recto); Travelers with Cart Outside Inn (verso)
Giovanni Benedetto Castiglione
Pen and black ink, and red chalk, with brush and gray wash (recto), and brush and black ink and black wash (verso), on cream wove paper · 1700
Art Institute of Chicago

Two Studies of the Virgin with Child
Francesco Trevisani, Italian
Black crayon, white heightening on paper · 1700
Cooper Hewitt, Smithsonian Design Museum

Mary, Queen of Scots
George Vertue
Etching and engraving · 1700
The Metropolitan Museum of Art

Psyche Presenting the Phial of Water to Venus
Raphaelle Peale
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphaelle Peale
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago