Database / Artworks
Artworks
Seal
Chelsea Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding; hardstone and metal mount · 1750
Art Institute of Chicago
Seal
Chelsea Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding; hardstone and metal mount · 1750
Art Institute of Chicago
Seal
Chelsea Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding; hardstone and metal mount · 1750
Art Institute of Chicago
Seal
Chelsea Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding; hardstone and metal mount · 1750
Art Institute of Chicago
Winter
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, and gilding · 1750
Art Institute of Chicago
Sweetmeat Dish
Bow Porcelain Factory
Soft-paste porcelain, underglaze blue decoration · 1750
Art Institute of Chicago
Two-Handled Sauceboat
Worcester Porcelain Factory
Soft-paste porcelain with underglaze blue decoration · 1750
Art Institute of Chicago
Platter
Bow Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding · 1750
Art Institute of Chicago
Potpourri Urn
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, gilding, and bronze mount · 1750
Art Institute of Chicago
Vase
Bow Porcelain Factory
Soft-paste porcelain, polychrome enamels · 1750
Art Institute of Chicago
Teapot
Staffordshire Potteries
Salt-glazed stoneware · 1750
Art Institute of Chicago
Sauceboat
Worcester Porcelain Factory
Soft-paste porcelain with polychrome enamels · 1750
Art Institute of Chicago
Tea Bowl and Saucer
Chelsea Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding · 1750
Art Institute of Chicago
Sauceboat
Worcester Porcelain Factory
Soft-paste porcelain with polychrome enamels · 1750
Art Institute of Chicago
Panel
Philippe de La Salle
Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch · 1750
Art Institute of Chicago
Panel
Philippe de La Salle
Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch · 1750
Art Institute of Chicago
Glorification of the Widmann Family
Gaspare Diziani
Pen and gray ink, gray wash, over black chalk · 1750
The Metropolitan Museum of Art
Head of Bearded Man Looking Upwards
Jonathan Richardson, the elder
Graphite on parchment · 1750
Art Institute of Chicago
The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso)
Henry Fuseli
Pen and brown ink, and brush and brown and gray wash, over graphite (recto), and graphite (verso), on tan laid paper · 1750
Art Institute of Chicago
Saint Joseph
Tommaso Conca
Red chalk with stumping on cream laid paper, laid down on blue covered paper, laid down on ivory board · 1750
Art Institute of Chicago
Rocks and Water
Jacob Philipp Hackert
Pen and black ink and brush and brown and gray wash on cream laid paper, laid down on board · 1750
Art Institute of Chicago
Holy Virgin
Giovanni da Udine
Pen and brown ink, with traces of graphite, on ivory laid paper · 1750
Art Institute of Chicago
Boy with Staff
Giovanni Battista Cipriani
Black chalk, heightened with white chalk, on tan laid paper, laid down on cream laid paper · 1750
Art Institute of Chicago
Decoration of an Arched Portal
Carlo Marchionni, Italian
Graphite, black crayon, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum