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Artworks

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The Assassination
The Assassination
James Ensor
Etching with gouache, colored pencil, and crayon additions · 1888
Museum of Modern Art
Saint Anthony . . . Beneath Her Long Hair Which Covered Her Face, I Thought I Recognized Ammonaria (Sainte-Antoine . . . A travers ses longs cheveux qui lui couvrait la figure, j'ai cru reconnaître Ammonaria)
Saint Anthony . . . Beneath Her Long Hair Which Covered Her Face, I Thought I Recognized Ammonaria (Sainte-Antoine . . . A travers ses longs cheveux qui lui couvrait la figure, j'ai cru reconnaître Ammonaria)
Odilon Redon
Lithograph with chine appliqué · 1888
Museum of Modern Art
Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
It Is the Devil, Bearing beneath His Two Wings the Seven Deadly Sins (C'est le diable, portant sous ses deux ailes les sept péchés capitaux) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
It Is the Devil, Bearing beneath His Two Wings the Seven Deadly Sins (C'est le diable, portant sous ses deux ailes les sept péchés capitaux) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
And All Manner of Frightful Creatures Arise (Et toutes sortes de bêtes effroyables surgissent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
And All Manner of Frightful Creatures Arise (Et toutes sortes de bêtes effroyables surgissent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Cover/Frontispiece from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Cover/Frontispiece from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
He Raises the Bronze Urn (Il hausse le vase d'airan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
He Raises the Bronze Urn (Il hausse le vase d'airan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . .  ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . . ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . And in the Very Disk of the Sun Shines the Face of Jesus Christ (. . . Et dans le disque même du soleil rayonne la face de Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
. . . And in the Very Disk of the Sun Shines the Face of Jesus Christ (. . . Et dans le disque même du soleil rayonne la face de Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
The Terrible Archer (L'archer terrible)
The Terrible Archer (L'archer terrible)
James Ensor
Etching · 1888
Museum of Modern Art
The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (first series)
The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (first series)
Odilon Redon
Portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
....First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White Rearing Horses (....D'abord une flaque d'eau, ensuite une prostituée, le coin d'un temple, une figure de soldat, un char avec deux chevaux blancs qui se cabrent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
....First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White Rearing Horses (....D'abord une flaque d'eau, ensuite une prostituée, le coin d'un temple, une figure de soldat, un char avec deux chevaux blancs qui se cabrent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . The Chimera with Green Eyes Turns, Bays (. . . La Chimère aux yeux verts tournoie, aboie) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
. . . The Chimera with Green Eyes Turns, Bays (. . . La Chimère aux yeux verts tournoie, aboie) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Little Prelate (Petit prélat)
Little Prelate (Petit prélat)
Odilon Redon
Drypoint · 1888
Museum of Modern Art
The Winds (Les Vents)
The Winds (Les Vents)
James Ensor
Etching · 1888
Museum of Modern Art
Stars in the Cemetery
Stars in the Cemetery
James Ensor
Etching · 1888
Museum of Modern Art
Capture of a Strange Town (Prise d'une ville étrange)
Capture of a Strange Town (Prise d'une ville étrange)
James Ensor
Etching · 1888
Museum of Modern Art
Peculiar Insects, state V
Peculiar Insects, state V
James Ensor
Drypoint · 1888
Museum of Modern Art
Small Bizarre Figures, state II
Small Bizarre Figures, state II
James Ensor
Etching · 1888
Museum of Modern Art
Devils Thrashing Angels and Archangels
Devils Thrashing Angels and Archangels
James Ensor
Etching · 1888
Museum of Modern Art
Untitled
Untitled
Horace M. Engle
Gelatin silver print, printed 1972 · 1888
Museum of Modern Art
Untitled
Untitled
Horace M. Engle
Gelatin silver print, printed 1972 · 1888
Museum of Modern Art
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