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Artworks

The Assassination
James Ensor
Etching with gouache, colored pencil, and crayon additions · 1888
Museum of Modern Art

Saint Anthony . . . Beneath Her Long Hair Which Covered Her Face, I Thought I Recognized Ammonaria (Sainte-Antoine . . . A travers ses longs cheveux qui lui couvrait la figure, j'ai cru reconnaître Ammonaria)
Odilon Redon
Lithograph with chine appliqué · 1888
Museum of Modern Art

Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

It Is the Devil, Bearing beneath His Two Wings the Seven Deadly Sins (C'est le diable, portant sous ses deux ailes les sept péchés capitaux) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

And All Manner of Frightful Creatures Arise (Et toutes sortes de bêtes effroyables surgissent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

Cover/Frontispiece from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

He Raises the Bronze Urn (Il hausse le vase d'airan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . . ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

. . . And in the Very Disk of the Sun Shines the Face of Jesus Christ (. . . Et dans le disque même du soleil rayonne la face de Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

The Terrible Archer (L'archer terrible)
James Ensor
Etching · 1888
Museum of Modern Art

The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (first series)
Odilon Redon
Portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

....First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White Rearing Horses (....D'abord une flaque d'eau, ensuite une prostituée, le coin d'un temple, une figure de soldat, un char avec deux chevaux blancs qui se cabrent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

. . . The Chimera with Green Eyes Turns, Bays (. . . La Chimère aux yeux verts tournoie, aboie) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art

Little Prelate (Petit prélat)
Odilon Redon
Drypoint · 1888
Museum of Modern Art

The Winds (Les Vents)
James Ensor
Etching · 1888
Museum of Modern Art

Stars in the Cemetery
James Ensor
Etching · 1888
Museum of Modern Art

Capture of a Strange Town (Prise d'une ville étrange)
James Ensor
Etching · 1888
Museum of Modern Art

Peculiar Insects, state V
James Ensor
Drypoint · 1888
Museum of Modern Art

Small Bizarre Figures, state II
James Ensor
Etching · 1888
Museum of Modern Art

Devils Thrashing Angels and Archangels
James Ensor
Etching · 1888
Museum of Modern Art

Untitled
Horace M. Engle
Gelatin silver print, printed 1972 · 1888
Museum of Modern Art

Untitled
Horace M. Engle
Gelatin silver print, printed 1972 · 1888
Museum of Modern Art