Database / Artworks
Artworks
Design for a Funerary Monument with Fate, Urn, Putto
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Female Figure with Right Hand Raised
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Female Figure with Right Hand Raised
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Design for a Funerary Monument with Fate, Putto, and Urn
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Female Figure Pointing to Left
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Allegorical Figure with Caduceus (Peace?)
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Female Figure with Right Arm Raised
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Standing Female Figure Turning to the Left
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Fate with Urn
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Design for a Funerary Monument: Four Draped Mourning Female Figures
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over traces of graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Project for a Statue: Woman Holding Book with Right Hand
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over red chalk and graphite, on cream laid paper, tipped onto ivory laid paper · 1713
Art Institute of Chicago
Marcus Curtius Leaping into the Chasm
Giovanni Paolo Panini
Pen and brown ink and iron-gall ink, brush and black and gray ink, and black chalk, on ivory laid paper, laid down on cream laminate card · 1713
Art Institute of Chicago
Fujimura Handayu as a Courtesan
Torii Kiyomasu
hand-colored woodblock print · 1713
Cleveland Museum of Art
Judith and Holofernes and Other Studies (recto); Diana and Endymion (verso)
Giuseppe Nicola Nasini
Pen and brown ink and brush and brown wash, with black chalk and touches of pen and black ink (recto), and pen and brown and black inks, with red and black chalk and brush and brown wash (verso), on cream laid paper · 1713
Art Institute of Chicago
Brassende bedelaars
Pieter Serwouters
engraving on paper · 1713
Rijksmuseum
The Actor Ichikawa Monnosuke I
Okumura Toshinobu
Hand-colored woodblock print; hosoban, beni-e · 1713
Art Institute of Chicago
Sampler
Margreta Bem
Linen, plain weave; with twenty nine squares filled with different needlework patterns in a variety of stitches · 1713
Art Institute of Chicago
Figure of Guanyin
Meissen Porcelain Manufactory
Hard-paste porcelain · 1713
Art Institute of Chicago
Coffeepot
Meissen Porcelain Manufactory
Enameled and gilded hard-paste porcelain · 1713
Art Institute of Chicago
Africa, Design for a Pendentive in the Baptismal Vestibule of St. Peter’s, Rome
Francesco Trevisani, Italian
Pen and brown ink, brush and brown wash, white gouache, traces of black chalk on white laid paper · 1713
Cooper Hewitt, Smithsonian Design Museum
Landscape in the Style of Juran and Yan Wengui
Hui Wang
Handscroll; ink and color on paper · 1713
The Metropolitan Museum of Art
Design for the illustration of "L'Etourdi'' from the 1734 edition of Molière's works (vol. I, p. 3)
François Boucher
chalk, paper · 1713
Rijksmuseum
Design for the illustration of "Les Plaisirs de l'Ile Enchantée'' from the 1734 edition of Molière's works (vol. III, p. 104)
François Boucher
paper, chalk · 1713
Rijksmuseum
Study for La Flèche Whose Pockets are Being Searched by Harpagon
François Boucher
paper, chalk · 1713
Rijksmuseum