Database / Artworks
Artworks
Portret van Cornelis van Beveren
Jonas Suyderhoef
engraving on paper · 1677
Rijksmuseum
Saint Michael and the Rebel Angels
Gregorio de' Ferrari
pen and brown ink with brush and brown wash, heightened with white, over traces of black chalk, on gray-green paper · 1677
National Gallery of Art
Pluto and Persephone (Allegory of Fire)
François Girardon
bronze · 1677
National Gallery of Art
Chancellor Boucherat
Robert Nanteuil
engraving · 1677
National Gallery of Art
Marquis de Louvois
Robert Nanteuil
engraving · 1677
National Gallery of Art
Louis, Dauphin de France
Robert Nanteuil
engraving · 1677
National Gallery of Art
Louis XIV at the Siege of Cambrai, Seen from the South-West (March 20–April 19, 1677)
Frans van der Meulen
Red chalk, over black chalk; squared in black chalk; framing lines in pen and black ink · 1677
The Metropolitan Museum of Art
Allegorical Figures of Experience and Time
Giuseppe Maria Mitelli
Red chalk · 1677
The Metropolitan Museum of Art
Interior of a Protestant Gothic Church with Motifs from the Oude and Nieuwe Kerk in Amsterdam
Emanuel de Witte
oil paint (paint), panel · 1677
Rijksmuseum
Naaktstudie van een knielende man
Simone Pignoni
chalk, paper · 1677
Rijksmuseum
Saddle Horse
Pieter van Bloemen
Brush and gray wash, over traces of black chalk, on cream laid paper, laid down on board · 1677
Art Institute of Chicago
Ruler Receiving Lady
Francesco Solimena
Pen and brown ink, over black chalk, on cream laid paper, laid down on cream laid paper · 1677
Art Institute of Chicago
Juno and Aeolus
Francesco Solimena
Pen and brown ink, and brush and brown wash, with traces of black chalk, on cream laid paper laid, down on cream laid paper · 1677
Art Institute of Chicago
Diana and Nymphs
Alessandro Magnasco
Black chalk heightened with touches of white chalk on brown tinted laid paper, laid down on ivory laid paper · 1677
Art Institute of Chicago
Spandrel Decoration with Seated Allegorical Figures of Hope and Concord
Francesco Solimena
Pen and brown ink with brush and brown and gray wash, over traces of black chalk, squared in black chalk on ivory laid paper · 1677
Art Institute of Chicago
Christ Healing the Lame Man
Francesco Solimena
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Ascension of Female Saint
Martino Altomonte
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on brown wove paper · 1677
Art Institute of Chicago
Holy Family with Saints
Francesco Solimena
Pen and black ink, with brush and brown wash, and black chalk, on ivory laid paper, tipped on brownish-tan wove paper · 1677
Art Institute of Chicago
Pope Blessing Nun
Francesco Solimena
Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Saint called to Papal Chair
Domenico Mondo
Pen and black ink, with brush and gray wash, with black chalk, on cream laid paper, partially laid down on tan wove paper · 1677
Art Institute of Chicago
Profile of Male Head, Crowned with Laurel Leaves
Francesco Solimena
Red chalk heightened with touches of white chalk, on tan laid paper, laid down on cream laid paper · 1677
Art Institute of Chicago
Conversion of Saint Paul
Francesco Solimena
Pen and brown ink, with brush and brown and gray wash, over traces of black chalk, on cream laid paper · 1677
Art Institute of Chicago
Stage Setting
Ferdinando Galli-Bibiena
Pen and brown ink, with brush and brown wash, over black chalk, with graphite, on ivory laid paper · 1677
Art Institute of Chicago
Temple of Minerva Medica
Ferdinando Galli-Bibiena
Red chalk on ivory laid paper · 1677
Art Institute of Chicago