Database / Artworks
Artworks
Thomas Wriothesley (1505–1550), First Earl of Southampton
Holbein, Hans, the younger
Vellum laid on card · 1530
The Metropolitan Museum of Art
Landscape with the Penitent Saint Jerome
Josuë Dupon, Belgian
Oil on panel · 1530
Art Institute of Chicago
Design for a Ewer
Virgil Solis
etching and engraving · 1530
Cleveland Museum of Art
Halberdier walking left and carrying a halberd over his left shoulder, two tents beyond, from "Twelve soldiers of different ranks"
Virgil Solis
Engraving · 1530
The Metropolitan Museum of Art
Rabbits Roasting a Hunter and His Dogs
Virgil Solis
engraving · 1530
Cleveland Museum of Art
Design for a Vase
Virgil Solis
engraving · 1530
Cleveland Museum of Art
Armor for Field and Tournament
T
Steel with gilding, iron, brass, leather, and cord · 1530
Art Institute of Chicago
Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art
Daedalus and Icarus
Giulio Romano
Pen and brown ink with brush and brown wash, heightened with lead white, over incising, on cream laid paper, laid down on ivory laid paper · 1530
Art Institute of Chicago
Design for a Candlestick
Giulio Romano
Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge · 1530
The Metropolitan Museum of Art
Jupiter Hurling a Thunderbolt
Giulio Romano
Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper · 1530
The Metropolitan Museum of Art
Ontwerp voor een kan
Giulio Romano
pen on paper, chalk, ink · 1530
Rijksmuseum
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
Youths and Maidens Engaged in Country Pursuits
Antoine Caron
Black chalk and brush and brown wash, with traces of pen and brown ink, on cream laid paper, incised with stylus, and blackened with black chalk on verso for transfer · 1530
Art Institute of Chicago
After the Antique: Greek and Amazon
Battista Franco Veneziano
Pen and brown ink on gray-brown laid paper, laid down on tan laid paper, edge mounted on cream wove paper · 1530
Art Institute of Chicago
The Annunciation
Battista Franco Veneziano
Etching and Engraving · 1530
The Metropolitan Museum of Art
The People Rendering Divine Honors to Psyche
Master of the Die
Engraving in warm brown ink on cream laid paper · 1530
Art Institute of Chicago
The Gods Celebrating the Wedding of Psyche and Cupid
Master of the Die
Engraving in warm brown ink on cream laid paper · 1530
Art Institute of Chicago
Cupid and Psyche Together in the Nuptial Bed
Master of the Die
Engraving in warm brown ink on cream laid paper · 1530
Art Institute of Chicago
Proserpina Gives Psyche the Box of Beauty
Master of the Die
Engraving in warm brown ink on cream laid paper · 1530
Art Institute of Chicago
Apuleius Changed into a Donkey
Master of the Die
Engraving in warm brown ink on cream laid paper · 1530
Art Institute of Chicago
Page Serving Wine or The Painter's Apprentice
Francesco Mazzola, called Parmigianino
Pen and brown ink on tan laid paper, laid down on cream board · 1530
Art Institute of Chicago
Young Man Reading
Francesco Mazzola, called Parmigianino
Pen and brown ink with traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1530
Art Institute of Chicago
Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art