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Artworks

851 records
Departure for Work (Le depart pour le travail)
Departure for Work (Le depart pour le travail)
Jean-François Millet
etching · 1863
National Gallery of Art
College Henri IV
College Henri IV
Charles Méryon
graphite · 1863
National Gallery of Art
Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields")
Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields")
Charles Méryon
etching on D&C Blauw paper · 1863
National Gallery of Art
Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poepo, 1845 (New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845)
Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poepo, 1845 (New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845)
Charles Méryon
etching on laid paper · 1863
National Gallery of Art
Rébus: "Ci-gît la vendetta surannée" (Rebus: "Here Lies the Ancient Vendetta")
Rébus: "Ci-gît la vendetta surannée" (Rebus: "Here Lies the Ancient Vendetta")
Charles Méryon
etching and engraving on wove paper · 1863
National Gallery of Art
Océanie, ilots à Uvea (Wallis); Peche aux palmes, 1845 (Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group)
Océanie, ilots à Uvea (Wallis); Peche aux palmes, 1845 (Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group)
Charles Méryon
etching on laid paper · 1863
National Gallery of Art
No se puede mirar (One Can't Look)
No se puede mirar (One Can't Look)
Francisco Goya
etching, burnished lavis, drypoint, and burin · 1863
National Gallery of Art
Yo lo vi (I Saw It)
Yo lo vi (I Saw It)
Francisco Goya
etching, drypoint, and burin · 1863
National Gallery of Art
Y esto tambien (And This Too)
Y esto tambien (And This Too)
Francisco Goya
etching, aquatint or lavis, drypoint, and burin · 1863
National Gallery of Art
Tanto y mas (Even Worse)
Tanto y mas (Even Worse)
Francisco Goya
etching, lavis, and burin · 1863
National Gallery of Art
Ni por esas (Neither Do These)
Ni por esas (Neither Do These)
Francisco Goya
etching, lavis, drypoint, and burin · 1863
National Gallery of Art
Y no hai remedio (And There's No Help for It)
Y no hai remedio (And There's No Help for It)
Francisco Goya
etching, drypoint, burin, and burnisher · 1863
National Gallery of Art
No se convienen (They Do Not Agree)
No se convienen (They Do Not Agree)
Francisco Goya
etching, drypoint, burin, and burnisher · 1863
National Gallery of Art
Por que? (Why?)
Por que? (Why?)
Francisco Goya
etching, lavis, drypoint, burin, and burnisher · 1863
National Gallery of Art
Que valor! (What Courage!)
Que valor! (What Courage!)
Francisco Goya
etching, aquatint, drypoint, engraving, and burnishing · 1863
National Gallery of Art
No se puede saber por que (One Can't Tell Why)
No se puede saber por que (One Can't Tell Why)
Francisco Goya
etching, burnished lavis, drypoint, and burin · 1863
National Gallery of Art
Fuerte cosa es! (That's Tough!)
Fuerte cosa es! (That's Tough!)
Francisco Goya
etching, burnished aquatint, and drypoint · 1863
National Gallery of Art
Y son fieras (And They Are Like Wild Beasts)
Y son fieras (And They Are Like Wild Beasts)
Francisco Goya
etching, burnished aquatint, and drypoint · 1863
National Gallery of Art
Rest
Rest
Pierre Puvis de Chavannes
oil on canvas · 1863
National Gallery of Art
Work
Work
Pierre Puvis de Chavannes
oil on canvas · 1863
National Gallery of Art
Self-portrait, aged 21
Self-portrait, aged 21
Sir William Blake Richmond
Watercolor · 1863
The Metropolitan Museum of Art
Florence from Bellosguardo
Florence from Bellosguardo
John Brett
oil paint · 1863
Tate
Woman’s Mission: Companion of Manhood
Woman’s Mission: Companion of Manhood
George Elgar Hicks
oil paint · 1863
Tate
Woman in Yellow
Woman in Yellow
Dante Gabriel Rossetti
Watercolour on paper · 1863
Tate
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