Database / Artworks
Artworks

Departure for Work (Le depart pour le travail)
Jean-François Millet
etching · 1863
National Gallery of Art

College Henri IV
Charles Méryon
graphite · 1863
National Gallery of Art

Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields")
Charles Méryon
etching on D&C Blauw paper · 1863
National Gallery of Art

Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poepo, 1845 (New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845)
Charles Méryon
etching on laid paper · 1863
National Gallery of Art

Rébus: "Ci-gît la vendetta surannée" (Rebus: "Here Lies the Ancient Vendetta")
Charles Méryon
etching and engraving on wove paper · 1863
National Gallery of Art

Océanie, ilots à Uvea (Wallis); Peche aux palmes, 1845 (Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group)
Charles Méryon
etching on laid paper · 1863
National Gallery of Art

No se puede mirar (One Can't Look)
Francisco Goya
etching, burnished lavis, drypoint, and burin · 1863
National Gallery of Art

Yo lo vi (I Saw It)
Francisco Goya
etching, drypoint, and burin · 1863
National Gallery of Art

Y esto tambien (And This Too)
Francisco Goya
etching, aquatint or lavis, drypoint, and burin · 1863
National Gallery of Art

Tanto y mas (Even Worse)
Francisco Goya
etching, lavis, and burin · 1863
National Gallery of Art

Ni por esas (Neither Do These)
Francisco Goya
etching, lavis, drypoint, and burin · 1863
National Gallery of Art

Y no hai remedio (And There's No Help for It)
Francisco Goya
etching, drypoint, burin, and burnisher · 1863
National Gallery of Art

No se convienen (They Do Not Agree)
Francisco Goya
etching, drypoint, burin, and burnisher · 1863
National Gallery of Art

Por que? (Why?)
Francisco Goya
etching, lavis, drypoint, burin, and burnisher · 1863
National Gallery of Art

Que valor! (What Courage!)
Francisco Goya
etching, aquatint, drypoint, engraving, and burnishing · 1863
National Gallery of Art

No se puede saber por que (One Can't Tell Why)
Francisco Goya
etching, burnished lavis, drypoint, and burin · 1863
National Gallery of Art

Fuerte cosa es! (That's Tough!)
Francisco Goya
etching, burnished aquatint, and drypoint · 1863
National Gallery of Art

Y son fieras (And They Are Like Wild Beasts)
Francisco Goya
etching, burnished aquatint, and drypoint · 1863
National Gallery of Art

Rest
Pierre Puvis de Chavannes
oil on canvas · 1863
National Gallery of Art

Work
Pierre Puvis de Chavannes
oil on canvas · 1863
National Gallery of Art

Self-portrait, aged 21
Sir William Blake Richmond
Watercolor · 1863
The Metropolitan Museum of Art

Florence from Bellosguardo
John Brett
oil paint · 1863
Tate

Woman’s Mission: Companion of Manhood
George Elgar Hicks
oil paint · 1863
Tate

Woman in Yellow
Dante Gabriel Rossetti
Watercolour on paper · 1863
Tate