Database / Artworks
Artworks
Woman Filling Water-Cans
Pierre Millet
Woodcut from a partially inked block in dark brown on ivory laid paper · 1854
Art Institute of Chicago
Woman Filling Water-Cans
Pierre Millet
Woodcut in dark brown on ivory laid China paper, with an etching of a landscape, verso · 1854
Art Institute of Chicago
Capture of the Molle Bridge
Denis Auguste Marie Raffet
Lithograph in black on gray chine laid down on ivory wove paper · 1854
Art Institute of Chicago
Anacapa Island in Santa Barbara Channel
James McNeill Whistler
engraving · 1854
Smithsonian American Art Museum
Villa in Genoa
Miner Kilbourne Kellogg
pencil on paper · 1854
Smithsonian American Art Museum
The Mortuary, Paris
Charles Méryon
Etching and drypoint in warm black on cream wove paper · 1854
Art Institute of Chicago
Molière's Tomb, Père-Lachaise Cemetery, Paris
Charles Méryon
Etching in warm black on ivory laid paper · 1854
Art Institute of Chicago
Pompe Notre-Dame, Paris, small plate
Charles Méryon
Etching on ivory wove paper · 1854
Art Institute of Chicago
Dedicatory Verses by Meryon to Reinier Nooms, Called Zeeman
Charles Méryon
Etching in black and red on ivory wove paper · 1854
Art Institute of Chicago
Capri
Miner Kilbourne Kellogg
pencil and watercolor on paper · 1854
Smithsonian American Art Museum
Plains of Carthage
Miner Kilbourne Kellogg
pencil and watercolor on paper · 1854
Smithsonian American Art Museum
Plains of Carthage
Miner Kilbourne Kellogg
pencil and watercolor on paper · 1854
Smithsonian American Art Museum
Sketches on the Coast Survey Plate
James McNeill Whistler
Etching in black ink on white wove paper · 1854
Art Institute of Chicago
Anacapa Island
James McNeill Whistler
Etching in black ink on cream wove paper · 1854
Art Institute of Chicago
Molière's Tomb, Père-Lachaise Cemetery, Paris
Charles Méryon
Etching in warm black on ivory laid paper · 1854
Art Institute of Chicago
La rue des Mauvais Garçons
Charles Méryon
Etching in warm black with roulette (plate is scraped and burnished) on cream wove paper · 1854
Art Institute of Chicago
Pont-au-Change, Paris
Charles Méryon
Etching on ivory laid paper · 1854
Art Institute of Chicago
Pont-au-Change, Paris
Charles Méryon
Etching on ivory laid chine · 1854
Art Institute of Chicago
Pompe Notre-Dame, Paris (small plate)
Charles Méryon
Etching on ivory laid paper · 1854
Art Institute of Chicago
The Old Gate of the Palais de Justice, Paris
Charles Méryon
Etching and drypoint on ivory laid paper · 1854
Art Institute of Chicago
The Apse of Notre-Dame, Paris
Charles Méryon
Etching and drypoint ivory laid paper · 1854
Art Institute of Chicago
The Mortuary, Paris
Charles Méryon
Etching and drypoint on ivory laid paper · 1854
Art Institute of Chicago
Molière's Tomb, Père-Lachaise Cemetery, Paris and the Old Gate of the Palais de Justice, Paris
Charles Méryon
Etching and drypoint on ivory wove paper · 1854
Art Institute of Chicago
Arms Symbolical of the City of Paris
Charles Méryon
Etching on ivory laid paper · 1854
Art Institute of Chicago