Database / Artworks
Artworks

Ariwara no Narihirafrom the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
Color woodblock print, ōban · 1830
Art Institute of Chicago

Poem by Sanjo-in, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"
Katsushika Hokusai
Color woodblock print; oban · 1830
Art Institute of Chicago

Poem by Ariwara no Narihira, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"
Katsushika Hokusai
Color woodblock print; oban · 1830
Art Institute of Chicago

Design for the Letter U of a Pictoral Alphabet: Urania
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Soldiers' Uniforms
Victor Vincent Adam, French
Pen and ink, brush and brown and black wash on paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the letter A of a primer: Ange Gardien (Guardian Angel)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter G of a Pictoral Alphabet: Greek Warfare
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the letter C of a pictorial alphabet: Confession
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum

Military Vignettes
Victor Vincent Adam, French
Pen and ink, brush and brown and black wash on paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Landscape with a View in a Valley
Ferdinand Georg Waldmüller
Graphite · 1830
The Metropolitan Museum of Art

Alpine Landscape
Alexandre Calame
Etching on paper · 1830
Art Institute of Chicago

Vier Waldstaettersee
Alexandre Calame
Lithograph on paper · 1830
Art Institute of Chicago

Landscape
Alexandre Calame
canvas, oil paint (paint) · 1830
Rijksmuseum

Farmyard with Man and Cattle
Constant Troyon
Black chalk, heightened with touches of white chalk, on blue laid paper with pink and blue fibers · 1830
Art Institute of Chicago

Edge of a Forest
Constant Troyon
Black crayon, heightened with white chalk, on tan wove paper (discolored to brown), laid down on cream wove paper · 1830
Art Institute of Chicago

Untitled
William Henry Fox Talbot
Salted paper print · 1830
Art Institute of Chicago

Stem of Leaves and Flowers
William Henry Fox Talbot
Photogenic drawing, stabilized (fixed) in potassium iodide, potassium bromide or ammonia water · 1830
Art Institute of Chicago

Botanical Specimen
William Henry Fox Talbot
Photogenic drawing · 1830
Art Institute of Chicago

Portrait of a Lady
Frederick R. Spencer
Watercolor on ivory · 1830
The Metropolitan Museum of Art

Self-Portrait as a Fisherman
Katsushika Hokusai
Color woodblock print with metallic pigments; surimono shikishiban · 1830
Art Institute of Chicago

Fountain and Pergola in Italy
Ernest Christian Frederik Petzholdt
Oil on paper, mounted on canvas · 1830
Art Institute of Chicago

Design for the letter B of a pictorial alphabet: Bienfaisance (Charity)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter D of a Pictorial Alphabet: Dieu (God)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Nihonbashi Bridge, wrapper for the series "One Hundred Views of the Eastern Capital (Toto hyakkei)"
Katsushika Hokusai
Color woodblock print · 1830
Art Institute of Chicago