Database / Artworks
Artworks
Mule Driver
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Amateur de Jardin
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
The Filthy Man
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
A Street in Seville
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
A Beggar
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Victory
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Arab Seated, His Hands Crossed on His Knees
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Fortune Teller
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Dead Kabyle
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Guard of the Casbah in Tetuan
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Arab Watching the Body of His Friend
Mariano Fortuny y Marsal
Etching on paper · 1858
Art Institute of Chicago
Etna
Miner Kilbourne Kellogg
wood engraving on paper mounted on paper · 1858
Smithsonian American Art Museum
Street at Saverne
James McNeill Whistler
Etching with foul biting in dark brown ink on off-white laid paper · 1858
Art Institute of Chicago
The Kitchen
James McNeill Whistler
Etching in black ink with foul biting on off-white China paper laid down on ivory wove paper (chine collé) · 1858
Art Institute of Chicago
Elizabeth Gibson Powers
Hiram Powers
plaster · 1858
Smithsonian American Art Museum
Untitled (Boats in Harbor)
Miner Kilbourne Kellogg
wood engraving on paper mounted on paper · 1858
Smithsonian American Art Museum
The Title Page for 'Douze Eaux Fortes d'après Nature'
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
La Mère Gérard
James McNeill Whistler
Etching in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
En Plein Soleil
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
Liverdun
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting in black ink on light blue wove paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
The Kitchen
James McNeill Whistler
Etching with drypoint cancellation, in black ink on ivory laid paper · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting in black ink on tan Japanese paper · 1858
Art Institute of Chicago