Database / Artworks

Artworks

507 records
Battery No.1 opens fire, from Souvenirs d’Italie: Expédition de Rome
Battery No.1 opens fire, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on ivory chine laid down on off-white wove paper · 1854
Art Institute of Chicago
Pont-au-Change, Paris
Pont-au-Change, Paris
Charles Méryon
Etching with drypoint on ivory laid paper · 1854
Art Institute of Chicago
Man in a Top Hat
Man in a Top Hat
James McNeill Whistler
Pen and black ink, on cream wove paper tipped onto cream laid paper · 1854
Art Institute of Chicago
Man in Plaid Shirt
Man in Plaid Shirt
James McNeill Whistler
Pen and black ink, on cream laid paper · 1854
Art Institute of Chicago
Arles: The West Porch of Saint-Trophime
Arles: The West Porch of Saint-Trophime
Charles Nègre
Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854–1857 · 1854
Art Institute of Chicago
Paris, Place de Châtelet
Paris, Place de Châtelet
Charles Nègre
Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854–1857 · 1854
Art Institute of Chicago
Kneeling Mason
Kneeling Mason
Charles Nègre
Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854–1857 · 1854
Art Institute of Chicago
The Thinker
The Thinker
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1854
Art Institute of Chicago
The Young Maiden and Death
The Young Maiden and Death
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1854
Art Institute of Chicago
View near Rome
View near Rome
George Loring Brown
etching on paper · 1854
Smithsonian American Art Museum
Dieppe, West Pier
Dieppe, West Pier
Edward William Cooke
Graphite on ivory wove paper · 1854
Art Institute of Chicago
The Falls of Tivoli
The Falls of Tivoli
George Loring Brown
etching on paper · 1854
Smithsonian American Art Museum
Cold Spring
Cold Spring
Johann Hermann Carmiencke
pencil on paper · 1854
Smithsonian American Art Museum
The Apse of Notre-Dame, Paris
The Apse of Notre-Dame, Paris
Charles Méryon
Etching and drypoint on ivory chine laid down on ivory wove paper · 1854
Art Institute of Chicago
Two Women in an Italian Landscape
Two Women in an Italian Landscape
Miner Kilbourne Kellogg
oil paint · 1854
Smithsonian American Art Museum
Pont-au-Change, Paris
Pont-au-Change, Paris
Charles Méryon
Etching on ivory chine, laid down on ivory laid paper · 1854
Art Institute of Chicago
Sketches on the Coast Survey Plate
Sketches on the Coast Survey Plate
James McNeill Whistler
Etching in black ink on cream laid paper · 1854
Art Institute of Chicago
Charles Meryon Autographed Letter
Charles Meryon Autographed Letter
Charles Méryon
Brown ink on ivory wove paper, folded in half to create four pages · 1854
Art Institute of Chicago
The Ploughman and His Horse
The Ploughman and His Horse
Charles Méryon
Reproduction of an etching on ivory laid paper · 1854
Art Institute of Chicago
It Rocks but is Not Sunk
It Rocks but is Not Sunk
Charles Méryon
Pen and brown ink on tan wove China paper, laid down on ivory wove paper · 1854
Art Institute of Chicago
Pont-au-Change, Paris
Pont-au-Change, Paris
Charles Méryon
Etching on ivory wove chine · 1854
Art Institute of Chicago
The Mortuary, Paris
The Mortuary, Paris
Charles Méryon
Etching and drypoint on ivory laid paper · 1854
Art Institute of Chicago
Woman Filling Water-Cans
Woman Filling Water-Cans
Pierre Millet
Woodcut from a partially inked block in dark brown on buff wove China paper · 1854
Art Institute of Chicago
Woman Filling Water-Cans
Woman Filling Water-Cans
Pierre Millet
Woodcut on ivory wove Japanese paper · 1854
Art Institute of Chicago
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