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Artworks

Thou Art to Me More Lovely (valentine)
George Meek
Collaged elements, with watercolor and pen and blue ink on cut and embossed ivory wove paper (lace) · 1845
Art Institute of Chicago

Don Quixote and the Windmills
Imitator of Honoré Victorin Daumier
Oil on panel · 1845
Art Institute of Chicago

The Roll Call of the Last Victims of the Terror
Charles Louis-Lucien Muller
Oil on canvas · 1845
Art Institute of Chicago

Street in Bologna
John Ruskin
Pen and brown ink with brush and gray and brown wash and white gouache over graphite, on gray wove paper · 1845
Art Institute of Chicago

The Spring Quarter from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1845
Art Institute of Chicago

Lady Day - Old & New Style from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1845
Art Institute of Chicago

Twelfth Night from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1845
Art Institute of Chicago

Le Moulin de Saint-Ouen
Hippolyte Bayard
Gelatin silver print, No. 9 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965) · 1845
Art Institute of Chicago

Flask
West Willington Glassworks
Mold blown glass · 1845
Art Institute of Chicago

The Ratcatcher
Robert Petzsch
Etching in black on cream wove paper · 1845
Art Institute of Chicago

Paperweight
Clichy Glasshouse
Glass · 1845
Art Institute of Chicago

Preparing to Serve Fish
Nishiyama Hoen
Color woodblock print · 1845
Art Institute of Chicago

Game Pie Tureen
Wedgwood Manufactory
Stoneware (caneware) · 1845
Art Institute of Chicago

The Holy Family
Rodolphe Bresdin
Etching in dark blue on ivory laid paper · 1845
Art Institute of Chicago

The Good Samaritan
Rodolphe Bresdin
Etching on ivory chine, mounted on cream laid paper · 1845
Art Institute of Chicago

Mrs. James Morris
Henry Colton Shumway
watercolor on ivory · 1845
Smithsonian American Art Museum

Turkish House at Brusa, British Consulate
Miner Kilbourne Kellogg
pencil on paper · 1845
Smithsonian American Art Museum
A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris
William Turner
watercolor with scratch-away, heightened with white · 1845
Cleveland Museum of Art

Ruins of Greek Temple, Azani, Phrygia
Miner Kilbourne Kellogg
watercolor and pencil on paper mounted on paper · 1845
Smithsonian American Art Museum

George Cochran Lambdin
James Reid Lambdin
watercolor on ivory · 1845
Smithsonian American Art Museum

Civitella, Italy
Johann Hermann Carmiencke
pencil on paper · 1845
Smithsonian American Art Museum

Scene on the Hudson (Rip Van Winkle)
James Hamilton
oil on canvas · 1845
Smithsonian American Art Museum

Standing Artist
John Frederick Kensett
pencil and watercolor on paper · 1845
Smithsonian American Art Museum

Dr. James G. Playfair
Hiram Powers
plaster · 1845
Smithsonian American Art Museum