Database / Artworks

Artworks

442 records
The Warrior Watanabe no Tsuna Fighting the Demon at Rashomon
The Warrior Watanabe no Tsuna Fighting the Demon at Rashomon
Katsukawa Shunshō
Color woodblock print; chûban · 1765
Art Institute of Chicago
The Actor Nakamura Nakazo I as a Monk, Raigo Ajari, in the Play Nue no Mori Ichiyo no Mato (Forest of the Nue Monster: Target of the Eleventh Month), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1770
The Actor Nakamura Nakazo I as a Monk, Raigo Ajari, in the Play Nue no Mori Ichiyo no Mato (Forest of the Nue Monster: Target of the Eleventh Month), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1770
Katsukawa Shunshō
Color woodblock print; hosoban · 1765
Art Institute of Chicago
Portrait of John Lockhart, Esquire
Portrait of John Lockhart, Esquire
James McArdell
Mezzotint on paper · 1765
Art Institute of Chicago
Basket
Basket
Worcester Porcelain Factory
Soft-paste porcelain with underglaze blue decoration · 1765
Art Institute of Chicago
Benjamin West
Benjamin West
Jonathan Spilsbury
Mezzotint and line engraving on paper · 1765
National Portrait Gallery
Sketches and Script
Sketches and Script
Carlo Marchionni, Italian
Pen and black ink on laid paper · 1765
Cooper Hewitt, Smithsonian Design Museum
Design for an escutcheon
Design for an escutcheon
Carlo Bianconi, Italian
Pen and sepia ink, brush and gray-brown watercolor, graphite on paper · 1765
Cooper Hewitt, Smithsonian Design Museum
Design for the Ballroom of the Royal Palace at Warsaw as Decorated for a Festival
Design for the Ballroom of the Royal Palace at Warsaw as Decorated for a Festival
Victor Louis, French
Pen and black ink, brush and gray and various watercolor washes on white laid paper · 1765
Cooper Hewitt, Smithsonian Design Museum
Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome
Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1765
Art Institute of Chicago
Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome
Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1765
Art Institute of Chicago
View of the Grand Cascade at Tivoli, from Views of Rome
View of the Grand Cascade at Tivoli, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1765
Art Institute of Chicago
Ruins of the Antonine Baths [Baths of Caracalla], from Views of Rome
Ruins of the Antonine Baths [Baths of Caracalla], from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1765
Art Institute of Chicago
Portrait of a Girl with a Dog
Portrait of a Girl with a Dog
Alessandro Longhi
Oil on canvas · 1765
Art Institute of Chicago
Portrait of a Musician
Portrait of a Musician
Alessandro Longhi
Oil on canvas · 1765
Art Institute of Chicago
Taira no Atsumori Returning to Shore to Confront Kumagai no Jirô Naozane
Taira no Atsumori Returning to Shore to Confront Kumagai no Jirô Naozane
Katsukawa Shunshō
Color woodblock print; chûban · 1765
Art Institute of Chicago
The Actor Ichikawa Danjuro V as Watanabe Kiou Takiguchi (?) in the Play Nue no Mori Ichiyo no Mato (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1770 (?)
The Actor Ichikawa Danjuro V as Watanabe Kiou Takiguchi (?) in the Play Nue no Mori Ichiyo no Mato (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1770 (?)
Katsukawa Shunshō
Color woodblock print; illustration cut from Ehon Zoku Butai Ogi (1778) · 1765
Art Institute of Chicago
The Actor Ichikawa Danjuro V as Watanabe Kiou Takiguchi in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
The Actor Ichikawa Danjuro V as Watanabe Kiou Takiguchi in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Katsukawa Shunshō
Color woodblock print; hosoban · 1765
Art Institute of Chicago
The Actors Ichikawa Danzo III as I no Hayata Tadazumi (right), and Matsumoto Koshiro II as Osada no Taro Kagemune (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
The Actors Ichikawa Danzo III as I no Hayata Tadazumi (right), and Matsumoto Koshiro II as Osada no Taro Kagemune (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Katsukawa Shunshō
Color woodblock print; hosoban · 1765
Art Institute of Chicago
Actor Ôtani Hiroji III Possibly as Akaneya Hanshichi in “Snow on Mt. Fuji: The Soga Vendetta” (“Fuji no yuki kaikei Soga”)
Actor Ôtani Hiroji III Possibly as Akaneya Hanshichi in “Snow on Mt. Fuji: The Soga Vendetta” (“Fuji no yuki kaikei Soga”)
Katsukawa Shunshō
Color woodblock print; hosoban · 1765
Art Institute of Chicago
The Actor Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as the Woodcutter Gankutsu no Gorozo in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
The Actor Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as the Woodcutter Gankutsu no Gorozo in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Katsukawa Shunshō
Color woodblock print; hosoban · 1765
Art Institute of Chicago
The Actor Otani Hiroji III as a White Fox Disguised as Ukishima Daihachi in the Play Shinasadame Soma no Mombi, Performed at the Ichimura Theater in the Seventh Month, 1770
The Actor Otani Hiroji III as a White Fox Disguised as Ukishima Daihachi in the Play Shinasadame Soma no Mombi, Performed at the Ichimura Theater in the Seventh Month, 1770
Katsukawa Shunshō
Color woodblock print; hosoban · 1765
Art Institute of Chicago
Design for an Overdoor
Design for an Overdoor
Filippo Marchionni, Italian
Charcoal, brush and gray, dark brown watercolor on laid paper · 1765
Cooper Hewitt, Smithsonian Design Museum
The Actors Ichikawa Danzo III as I no Hayata Tadazumi (right), and Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as Yatsurugi Zaemon (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
The Actors Ichikawa Danzo III as I no Hayata Tadazumi (right), and Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as Yatsurugi Zaemon (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Katsukawa Shunshō
Color woodblock print; hosoban · 1765
Art Institute of Chicago
The Actor Ichikawa Danzo III as I no Hayata Tadazumi in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
The Actor Ichikawa Danzo III as I no Hayata Tadazumi in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Katsukawa Shunshō
Woodblock print; hosoban, keyblock proof impression · 1765
Art Institute of Chicago
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