Database / Artworks
Artworks
The Impotent Wing Did Not Lift the Animal Into That Black Space, plate 7 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray chine laid down on white wove paper · 1883
Art Institute of Chicago
The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper collé, laid down on white wove paper · 1883
Art Institute of Chicago
When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on ivory China paper, laid down on white wove paper · 1883
Art Institute of Chicago
Cover-Frontispiece for Les Origines
Odilon Redon
Lithograph in black on dark gray wove paper · 1883
Art Institute of Chicago
Wey for a Valance
William Morris
Cotton, plain weave; block printed · 1883
Art Institute of Chicago
Tuba Mirum Spargens Sonum
Henri Fantin-Latour
Lithograph in black on off-white China paper laid down on white wove paper · 1883
Art Institute of Chicago
After the Shower
Edward Mitchell Bannister
oil on paperboard · 1883
Smithsonian American Art Museum
On the Thames
Anders Zorn
Etching on ivory laid paper · 1883
Art Institute of Chicago
(Illustration for Rubáiyát of Omar Khayyám) The Magdalen
Elihu Vedder
chalk, pencil and ink on paper · 1883
Smithsonian American Art Museum
View of Nogent
Maxime Lalanne
Etching on ivory wove paper · 1883
Art Institute of Chicago
First Step
Félicien Rops
Heliogravure, with drypoint, white heightening and hand-coloring, on ivory wove paper · 1883
Art Institute of Chicago
Modernity
Félicien Rops
Drypoint on cream wove paper · 1883
Art Institute of Chicago
(Illustration for Rubáiyát of Omar Khayyám) The Cup of Death
Elihu Vedder
chalk, pencil and ink on paper · 1883
Smithsonian American Art Museum
Anna Dwight Baker (Mrs. J. Alden Weir)
Olin Levi Warner
plaster · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) The Fates Gathering in the Stars
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) Whence and Whither?
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
The Round
Auguste Rodin
Drypoint in dark brown ink on cream laid paper · 1883
Art Institute of Chicago
(Illustration for Rubáiyát of Omar Khayyám) Love Shrinking Affrighted at the Sight of Hell
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) The Jarring Sects
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
Wyatt Eaton
Olin Levi Warner
plaster · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) The Throne of Saturn
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum