Database / Artworks
Artworks
Sapping in full swing, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1858
Art Institute of Chicago
Reconnaisance, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1858
Art Institute of Chicago
Light infantry ambush, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1858
Art Institute of Chicago
House of Six Green Shutters, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on warm ivory wove chine laid down on off-white wove paper · 1858
Art Institute of Chicago
Artillery men, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on ivory wove chine laid down on ivory wove paper · 1858
Art Institute of Chicago
Devotion of the Catholic clergy in Rome, April 30, 1849, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on buff wove paper · 1858
Art Institute of Chicago
La Rétameuse
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Cancelled copper etching plate · 1858
Art Institute of Chicago
The Cat's Lunch
Augustin Théodule Ribot
Etching on ivory laid paper · 1858
Art Institute of Chicago
Flower Market (recto); Sketch of City (verso)
Francis Hopkinson Smith
Watercolor and gouache, with graphite, on blue laid paper, laid down on ivory wood-pulp laminate board · 1858
Art Institute of Chicago
Souvenir of Bas-Bréau
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1858
Art Institute of Chicago
La Marchande de Moutarde (The Mustard Seller)
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper, chine collé · 1858
Art Institute of Chicago
The Unsafe Tenement
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
La Vieille aux Loques (The Old Woman with Rags)
James McNeill Whistler
Etching and drypoint with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
The Kitchen
James McNeill Whistler
Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
Fumette
James McNeill Whistler
Etching with foul biting in dark brown ink on off-white China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago
La Mère Gérard
James McNeill Whistler
Etching in black ink on off-white China paper laid down on white wove paper (chine collé) · 1858
Art Institute of Chicago
Jeremiah Gurney
Henry Hunt Snelling
Salted paper print · 1858
National Portrait Gallery
Looking Outward from the Barn, Loring Estate, Beverly Farms, Massachusetts
Samuel Masury
coated salted paper print · 1858
Smithsonian American Art Museum
Shining Metal
Julian Vannerson
salted paper print · 1858
Smithsonian American Art Museum
The Holy Family with Pole
Rodolphe Bresdin
Etching on white wove paper · 1858
Art Institute of Chicago
Figure on Road by House and Canal
Imitator of Jacob Henricus Maris
Pen and brown ink, with black pastel, on ivory wove paper, laid down on board · 1858
Art Institute of Chicago
Landscape with Family by Lake
Robert S. Duncanson
oil on canvas · 1858
Smithsonian American Art Museum
The Kitchen
James McNeill Whistler
Etching with foul biting in black ink on buff China paper laid down on off-white wove paper (chine collé) · 1858
Art Institute of Chicago