Database / Artworks

Artworks

600 records
Vuur
Vuur
Frederick Bloemaert
engraving on paper · 1700
Rijksmuseum
Hemelglobe in houten stoel
Hemelglobe in houten stoel
Gerard Valck
turning on copper (metal), linden, paper, gypsum, oak (wood), wood (plant material) · 1700
Rijksmuseum
Penitent Magdalene
Penitent Magdalene
Imitator of Titian
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago
Lansquenets Talking with Market Women
Lansquenets Talking with Market Women
Charles Parrocel
Red chalk · 1700
The Metropolitan Museum of Art
Kerkelijke scène met kruisverering op Goede Vrijdag
Kerkelijke scène met kruisverering op Goede Vrijdag
Charles Parrocel
brush on paper · 1700
Rijksmuseum
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Soyer
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Soyer
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Sketches of a Child:  Half-Length, Torso, Foot, Hand
Sketches of a Child: Half-Length, Torso, Foot, Hand
Lombard
Red chalk, heightened with touches of lead white (discolored), on cream laid paper, prepared with a red chalk wash ground · 1700
Art Institute of Chicago
The angel appearing to Hagar in the wilderness as she folds her hands next to the sleeping Ishmael
The angel appearing to Hagar in the wilderness as she folds her hands next to the sleeping Ishmael
Charles Simonneau
Etching and engraving · 1700
The Metropolitan Museum of Art
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
George Raphael Ward
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
George Raphael Ward
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Footed Salver
Footed Salver
John Coney
Silver · 1700
The Metropolitan Museum of Art
Landscape with Saint Bruno ?
Landscape with Saint Bruno ?
Alessandro Magnasco
canvas, oil paint (paint) · 1700
Rijksmuseum
Carthusian Monks in a Landscape
Carthusian Monks in a Landscape
Alessandro Magnasco
canvas, oil paint (paint) · 1700
Rijksmuseum
Standing Pilgrim Friar
Standing Pilgrim Friar
Alessandro Magnasco
Brush and brown wash, highlighted with white gouache, on light tan paper · 1700
The Metropolitan Museum of Art
Pastorale
Pastorale
Gabriel Huquier, French
Etching and engraving · 1700
The Metropolitan Museum of Art
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Morghen, Italian
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
The Tent, from an Indo-Chinese or Indian Series
The Tent, from an Indo-Chinese or Indian Series
John Vanderbank, British
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Landscape in the Blue-and-Green Manner
Landscape in the Blue-and-Green Manner
Yanagisawa Kien, Japanese
Hanging scroll; ink and color on paper · 1700
The Metropolitan Museum of Art
Arcadian Landscape with Figures Making Music
Arcadian Landscape with Figures Making Music
Jan van Huysum, Dutch
Pen and gray ink and watercolor. Broad framing line in black ink · 1700
The Metropolitan Museum of Art
Flowers in an Urn Decorated with Putti, on a Plinth
Flowers in an Urn Decorated with Putti, on a Plinth
Jan van Huysum, Dutch
Pen and black ink and brush and black and brown ink washes, over red chalk, on cream laid paper · 1700
Art Institute of Chicago
Design for a Church Interior
Design for a Church Interior
Luigi Vanvitelli, Italian
Pen, brown ink, over graphite · 1700
The Metropolitan Museum of Art
Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso)
Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso)
Luigi Vanvitelli, Italian
Graphite partly reworked with pen and black ink and brush and black ink and ruled construction lines in graphite (recto); graphite (verso) · 1700
The Metropolitan Museum of Art
Design for an Altar
Design for an Altar
Luigi Vanvitelli, Italian
Pen, brown ink, with brush and gray wash, over graphite · 1700
The Metropolitan Museum of Art
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