Database / Artworks
Artworks
Plate from l'Assommoir (standing couple, with other figures in background)
Gaston La Touche
Drypoint on ivory laid paper · 1878
Art Institute of Chicago
Plate from l'Assommoir (man leaning on bar)
Gaston La Touche
Drypoint on ivory laid paper · 1878
Art Institute of Chicago
Plate from l'Assommoir (blacksmith)
Gaston La Touche
Drypoint on ivory laid paper · 1878
Art Institute of Chicago
Plate from l'Assommoir (two boys on gaslit street)
Gaston La Touche
Drypoint and plate tone on ivory laid paper · 1878
Art Institute of Chicago
Plate from l'Assommoir (man proposing a toast at table with five other people)
Gaston La Touche
Drypoint and plate tone on ivory laid paper · 1878
Art Institute of Chicago
Wapping - The Pool
James McNeill Whistler
Etching and drypoint in black ink on ivory laid paper · 1878
Art Institute of Chicago
On the Banks of the Rhine, near St. Germain at Mont d'Or
Carroll Beckwith
oil on fabric: canvas mounted on paperboard · 1878
Smithsonian American Art Museum
Farm Interior: Breton Children Feeding Rabbits
William Henry Lippincott
oil on canvas · 1878
Smithsonian American Art Museum
The "Adam and Eve," Old Chelsea
James McNeill Whistler
Etching and drypoint with foul biting in black ink on off-white laid paper · 1878
Art Institute of Chicago
Old Hay Rick near Nonquitt
Robert Swain Gifford
etching · 1878
Smithsonian American Art Museum
Old Battersea Bridge, No. 2
James McNeill Whistler
Transfer lithograph in black on off-white plate paper · 1878
Art Institute of Chicago
Landscape with Birch Trees
Alphonse Legros
Lithograph in black on ivory China paper, laid down on ivory wove paper · 1878
Art Institute of Chicago
Pole Fisherman
Alphonse Legros
Etching, drypoint and plate tone on cream laid paper · 1878
Art Institute of Chicago
Pole Fisherman
Alphonse Legros
Etching, drypoint and plate tone on light gray laid paper · 1878
Art Institute of Chicago
Two Flying Figures with a Lyre (Study for The Sacred Grove, Beloved of the Arts and the Muses)
Pierre Puvis de Chavannes
Graphite and charcoal, heightened with touches of white chalk, on tan tracing paper, squared in charcoal, laid down on cream wood pulp laminate board · 1878
Art Institute of Chicago
The Reichstag
Lovis Corinth
Transfer lithograph printed in color, heightened with white, on white laid paper · 1878
Art Institute of Chicago
Cliff Houses on the Rio Mancos, Colorado
William Henry Holmes
watercolor and opaque watercolor on paper mounted on paperboard · 1878
Smithsonian American Art Museum
Banks of the Marne
Alphonse Legros
Etching, drypoint and plate tone on light-green laid paper · 1878
Art Institute of Chicago
Thomas Fenton
Olin Levi Warner
plaster · 1878
Smithsonian American Art Museum
Limehouse
James McNeill Whistler
Lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper · 1878
Art Institute of Chicago
The Tall Bridge
James McNeill Whistler
Photo-lithographic reproduction in black ink on ivory laid paper · 1878
Art Institute of Chicago
The Peddler at the Fair
John Rogers
plaster · 1878
Smithsonian American Art Museum
The Press
Félicien Rops
Etching and drypoint on tan wove paper · 1878
Art Institute of Chicago
Prof. and Mrs. Robert Walter Weir
Olin Levi Warner
plaster · 1878
Smithsonian American Art Museum