Database / Artworks
Artworks
Frontispiece for Iwan Gilkin's Damnation de l'artiste
Odilon Redon
Lithograph in black on pinkish-cream China paper laid down on white wove paper · 1889
Art Institute of Chicago
Frontispiece for El Moghreb al Aksa by Edmond Picard
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Captive Pegasus
Odilon Redon
Lithograph in black on cream China paper laid down on cream wove paper · 1889
Art Institute of Chicago
Frontispiece for Iwan Gilkin's Damnation de l'artiste
Odilon Redon
Lithograph in black on ivory wove paper · 1889
Art Institute of Chicago
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on ivory laid paper · 1889
Art Institute of Chicago
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on cream wove paper · 1889
Art Institute of Chicago
Frontispiece from Emile Verhaeren's Les Debacles
Odilon Redon
Lithograph in black on cream wove paper · 1889
Art Institute of Chicago
The Skiapods: "The head as low as possible, that is the secret of happiness!", plate 6 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Saint Anthony: "Somewhere there must be primordial shapes whose bodies are only images, plate 4 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
St. Anthony: "Somewhere There Must Be Primordial Shapes Whose Bodies Are Only Images", plate 4 of 6
Odilon Redon
Lithograph in black on cream China paper laid down on cream wove paper · 1889
Art Institute of Chicago
The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Death: "My irony surpasses all others!", plate 3 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
A Long Chrysalis, the Color of Blood, plate 2 of 6
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1889
Art Institute of Chicago
Untitled (Spiderweb and Daisies)
George Elbert Burr
pencil on paper · 1889
Smithsonian American Art Museum
Untitled (Thistle)
George Elbert Burr
pen and ink and pencil on paper · 1889
Smithsonian American Art Museum
Untitled (Cattails, Clover, and Blackberries)
George Elbert Burr
pencil on paper · 1889
Smithsonian American Art Museum
Untitled (Wild Hazelnut, Corylus Americana)
George Elbert Burr
pencil on paper · 1889
Smithsonian American Art Museum
Untitled (Daisies and Blackberries)
George Elbert Burr
pencil on paper · 1889
Smithsonian American Art Museum
Untitled (Trumpet Vine)
George Elbert Burr
pen and ink and paper · 1889
Smithsonian American Art Museum
The Thunderstorm
James Ensor
Etching with sulphuring from a copper plate, printed in bistre, on cream wove paper · 1889
Art Institute of Chicago
Little Terrace, Luxembourg Gardens
James McNeill Whistler
Etching with foul biting in black ink on cream Japanese paper · 1889
Art Institute of Chicago