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Artworks
Title Page: A Life
Max Klinger
Two etchings on one sheet of cream laid paper · 1884
Art Institute of Chicago
Christ and the Samaritan Woman, from A Life
Max Klinger
Drypoint and aquatint, with etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Downfall, from A Life
Max Klinger
Etching, with aquatint and drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Suffer!, plate fourteen from A Life
Max Klinger
Etching, aquatint and drypoint in black ink on grayish ivory wove paper, laid down on cream laid plate paper (chine collé) · 1884
Art Institute of Chicago
Back into Nothingness, plate fifteen from A Life
Max Klinger
Aquatint and etching on ivory China paper laid down on cream laid paper · 1884
Art Institute of Chicago
The Proposition, from A Life
Max Klinger
Etching and aquatint, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Downfall, plate twelve from A Life
Max Klinger
Etching, with aquatint and drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
On the Street, from A Life
Max Klinger
Aquatint and etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
On the Street, plate nine from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
For Everyone, plate eight from A Life
Max Klinger
Etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Chained, plate eleven from A Life
Max Klinger
Aquatint and etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Into the Gutter!, plate ten from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Christ and the Women Sinners, plate thirteen from A Life
Max Klinger
Etching and aquatint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Rivals, plate seven from A Life
Max Klinger
Etching and aquatint, with roulette, stipple and drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
The Proposition, plate six from A Life
Max Klinger
Etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Temptation, plate four from A Life
Max Klinger
Aquatint and etching, with roulette on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Dreams, plate three from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Abandoned, plate five from A Life
Max Klinger
Etching and aquatint, with stipple and drypoint, in sanguine on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Preface I, plate one from A Life
Max Klinger
Etching, with aquatint, roulette and drypoint in black and red ink on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Preface I, plate two from A Life
Max Klinger
Aquatint and etching, with burnishing in plate on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
The Hammerman
Constantin Emile Meunier
Bronze · 1884
Art Institute of Chicago
Vase d'Arezzo
Manufacture nationale de Sèvres
Hard-paste porcelain, polychrome enamels, and gilding, with copper alloy mounts · 1884
Art Institute of Chicago
Cray
William Morris
Cotton, plain weave, block printed · 1884
Art Institute of Chicago
Harriet Warner Walker, approximately 3 years old
Melander & Bro.
Gelatin silver print · 1884
Art Institute of Chicago