Database / Artworks
Artworks
Fallen Rider (Gefallener Reiter) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Landslide (Bergsturz) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Pursued Centaur (Verfolgter Centaur) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius among the Soldiers (Simplicius unter den Soldaten) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius in the Wilderness (Simplicius in der Waldeinöde) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius' Writing Lesson (Simplici Schreibstunde) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius at the Hermit's Grave (Simplicius am Grabe des Einsiedlers) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Chair No. 14
Michael Thonet
Beechwood and cane · 1881
Museum of Modern Art
Repose (Ruhe) (plate VIII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Cupid (Amor) (plate X) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Yearnings (Wünsche) (plate III) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Triumph (plate V) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Fears (Ängste) (plate VII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Rescuse (Rettung) (plate IV) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Abduction (Entführung) (plate IX) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
The Three Shades
Auguste Rodin
Bronze · 1881
Museum of Modern Art
Place (Ort) (plate I) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Action (Handlung) (plate II) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Homage (Huldigung) (plate VI) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
George Davidson's Earth Measuring Apparatus, Yolo Base Line Project, near Davis, California
Carleton E. Watkins
Cyanotype · 1881
Museum of Modern Art
Head of Orpheus
Odilon Redon
Charcoal on colored paper · 1881
Museum of Modern Art
The Convict
Odilon Redon
Charcoal on paper · 1881
Museum of Modern Art
Imaginary Figure
Odilon Redon
Chalk and charcoal on paper · 1881
Museum of Modern Art