Database / Artworks
Artworks
Benjamin Franklin
Henry Kirke Brown, American
Bronze · 1852
The Metropolitan Museum of Art
Deliverance of the Daughters of Daniel Boone and Callaway, plate two from Histoire des Premiere Colons d'Amerique
Karl Bodmer, Swiss
Tint lithograph on ivory wove paper · 1852
Art Institute of Chicago
Untitled (Group Portrait of Men)
John Adams
Daguerreotype · 1852
Art Institute of Chicago
Venus Disarming Cupid
Jean-Baptiste Camille Corot
Charcoal, with stumping, scraping and erasing, heightened with white gouache, on dark cream wove paper with inclusions · 1852
Art Institute of Chicago
Nude
Jean-Louis Forain
Red chalk on cream laid paper · 1852
Art Institute of Chicago
The Gossip Columns
Jean-Louis Forain
Charcoal, with brush and gray wash, on cream laid paper · 1852
Art Institute of Chicago
Portrait of Woman Reading
Elizabeth Murray
Watercolor over traces of graphite on cream wove paper · 1852
Art Institute of Chicago
Youth Leaning on Chair
Elizabeth Murray
Brush and watercolor over graphite on cream wove paper · 1852
Art Institute of Chicago
Study for Marphise and the Mistress of Pinabel
Eugene Delacroix
Graphite on tan wove paper, tipped onto board · 1852
Art Institute of Chicago
Title Page to Eaux-Fortes sur Paris
Charles Méryon
Etching in warm black on folded brown wove paper · 1852
Art Institute of Chicago
Church of St. Etienne du Mont, Paris
Charles Méryon
Etching on verdâtre (greenish) laid paper · 1852
Art Institute of Chicago
La Pompe Notre-Dame, Paris
Charles Méryon
Etching with drypoint on tan laid paper · 1852
Art Institute of Chicago
House with a Turret, rue de la Tixéranderie
Charles Méryon
Etching on verdâtre (greenish) laid chine · 1852
Art Institute of Chicago
La Pompe Notre-Dame, Paris
Charles Méryon
Etching with drypoint in brown on ivory laid paper · 1852
Art Institute of Chicago
The Clock Tower, Paris
Charles Méryon
Etching and engraving in warm black on verdâtre (greenish) laid chine tipped onto ivory laid paper · 1852
Art Institute of Chicago
The Clock Tower, Paris
Charles Méryon
Etching, engraving and drypoint (plate has been scraped and burnished) on ivory wove chine, laid down on ivory laid paper · 1852
Art Institute of Chicago
Title Page to Eaux-Fortes sur Paris
Charles Méryon
Etching in warm black on verdâtre (greenish-ivory) laid paper · 1852
Art Institute of Chicago
Sketch of Ferdinand Marinus
Félicien Rops
Graphite, with red Conté crayon and black crayon, on grayish-ivory wove paper, tipped on cream laid paper · 1852
Art Institute of Chicago
The Emigration of Daniel Boone with His Family
Claude Regnier
Hand-colored lithograph in black and brown, with selective glazing, on ivory wove paper · 1852
Art Institute of Chicago
The Peace Society, or a New "Field of Action" for the Military - in "The Good Time Coming" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
George Cruikshank
Two steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1852
Art Institute of Chicago
The "Bloomers" in Hyde Park, or an Extraordinary Exhibition for 1852 from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
George Cruikshank
Steel etching in black on cream India paper, laid down on off-white card (chine collé) · 1852
Art Institute of Chicago
Advice "To Those About to Marry" - Buy Cheap Furniture from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1852
Art Institute of Chicago
Victor Hugo
Charles Victor Hugo
Salted paper print from paper negative · 1852
The Metropolitan Museum of Art
Untitled (Erastus Hopkins, Free Soiler)
Southworth & Hawes
Daguerreotype · 1852
Art Institute of Chicago