Database / Artworks
Artworks
Courtesans of the Ogiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Courtesans of the Gakuiseya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Summer Flowers: Irises and Water Plantains, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Spring Flowers: Violets and Dandelions, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; single-page illustration cut from a book · 1776
Art Institute of Chicago
Courtesans of the Asahimaruya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Courtesans of the Kagemanjiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Courtesans of the Matsubaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Courtesans of the Kadotamaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Courtesans of the Matsubaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Katsukawa Shunshō
Color woodblock print; double-page illustration cut from a book · 1776
Art Institute of Chicago
Vision of Sainted Benedictine Monk
Francesco Saverio Mergolo, Italian
Brush and brown ink with gray wash; verso: pen and brown ink with black chalk on off-white laid paper · 1776
Cooper Hewitt, Smithsonian Design Museum
Design for a Fountain
Charles-François Hutin, French
Pen and ink, brush and gray watercolor, black chalk, graphite on paper · 1776
Cooper Hewitt, Smithsonian Design Museum
The Fall of Phaeton
Antonio Tempesta
Wool and silk, slit and double interlocking tapestry weave · 1776
Art Institute of Chicago
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1776
Art Institute of Chicago
The Arrival of Telemachus on Calypso's Island from The Story of Telemachus
Manufacture Royale d’Aubusson
Wool, silk, and linen, slit, dovetailed and double interlocking tapestry weave · 1776
Art Institute of Chicago
A Hypocrite and a Slanderer
Franz Xaver Messerschmidt
tin · 1776
The Metropolitan Museum of Art
The Actor Segawa Kikunojo II Dancing with a Parasol
Katsukawa Shunshō
color woodblock print · 1776
Cleveland Museum of Art
Mater Dolorosa (Mourning Mother)
George Romney
brown ink, pen and wash, with graphite underdrawing · 1776
Cleveland Museum of Art
Figure of a Woman
George Romney
Brush and brown ink on cream laid paper · 1776
Art Institute of Chicago
Lady Elizabeth Stanley (1753–1797), Countess of Derby
George Romney
Oil on canvas · 1776
The Metropolitan Museum of Art
Self-Portrait
Raphael
Oil on canvas · 1776
The Metropolitan Museum of Art
George Washington
Benjamin Du Vivier
Bronze · 1776
Art Institute of Chicago
Theophilia Gwatkin
Joshua Reynolds
Oil on canvas · 1776
Art Institute of Chicago
Madonna del Velo
Giuseppe Longhi
engraving on paper · 1776
Rijksmuseum
Caricature of the Artist's Younger Brother Marie-Alexandre-François
André François
Pen and brown ink, brush and brown wash · 1776
The Metropolitan Museum of Art