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Artworks

1,347 records
Panel Four from "The Incredible Bulk"
Panel Four from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel Two from "The Incredible Bulk"
Panel Two from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card · 1979
Art Institute of Chicago
Panel Six from "The Incredible Bulk"
Panel Six from "The Incredible Bulk"
Angelo Torres
Pen and black ink, with blue and gray fiber-tipped pen, ruled with blue fiber-tipped pen over graphite on white card; notations in black and red fiber-tipped pen with correction in white correction fluid · 1979
Art Institute of Chicago
Self-Portrait
Self-Portrait
William Bailey
Charcoal with stumping and erasing on cream wove paper · 1979
Art Institute of Chicago
Girl Drawing
Girl Drawing
Michelangelo Pistoletto
Silkscreen on stainless steel · 1979
Art Institute of Chicago
Vendor
Vendor
Robert Gwathmey
Color screenprint on cream wove paper · 1979
Art Institute of Chicago
Eyes
Eyes
Mario Merz
Oil, metallic paint, and charcoal on burlap with blue neon tube · 1979
Art Institute of Chicago
Untitled (Self-Portrait)
Untitled (Self-Portrait)
Neil Welliver
Graphite on ivory wove paper · 1979
Art Institute of Chicago
Untitled (American Indian poem)
Untitled (American Indian poem)
N. Scott Momaday
Color lithograph on white wove paper · 1979
Art Institute of Chicago
Barn in Blue Haze
Barn in Blue Haze
Wolf Kahn
Pastel on white wove paper · 1979
Art Institute of Chicago
Small Vessel with Turtle, Tortoise, and Anaconda Motifs
Small Vessel with Turtle, Tortoise, and Anaconda Motifs
Delicia Dagua
Ceramic, pigment, and shinquillu lacquer, possibly from the Brazilian Elemi (Protium heptophyllum) · 1979
Art Institute of Chicago
Untitled
Untitled
Todd Walker
Color screenprint on cream wove paper · 1979
Art Institute of Chicago
Themis
Themis
Nancy Spero
Collage composed of cut and pasted papers with brush and black ink, metallic paints, and scraping, over traces of graphite, on off-white wove paper and printing in black ink on white wove paper, laid down on cream laid paper (pieced) · 1979
Art Institute of Chicago
Rayna
Rayna
James Turrell
Wood framing and sheetrock · 1979
Art Institute of Chicago
Curve XVIII
Curve XVIII
Ellsworth Kelly
Stainless steel · 1979
Art Institute of Chicago
Gateway and River (Tribune Tower)
Gateway and River (Tribune Tower)
Helmut Jahn
Colored pencils and graphite on yellow wove paper · 1979
Art Institute of Chicago
Still Life with Tools
Still Life with Tools
Jack Beal
Pastel on black wove paper · 1979
Art Institute of Chicago
The Forest Lane II
The Forest Lane II
Ger van Elk
Color photographs and acrylic paint on brass · 1979
Art Institute of Chicago
Visual Sound Zone: Washroom, P.S.1 Contemporary Art Center, New York
Visual Sound Zone: Washroom, P.S.1 Contemporary Art Center, New York
Nancy Holt
Graphite pencil and ink on paper, with typewritten text and audio recording; 6 min. 2 sec. · 1979
Art Institute of Chicago
In Haute Cuisine Is Our Strength
In Haute Cuisine Is Our Strength
Jack Beal
Graphite on white wove paper · 1979
Art Institute of Chicago
A Stranger Passes By
A Stranger Passes By
William Steig
Pen and black ink on ivory wove paper · 1979
Art Institute of Chicago
Damaged road-signs to be replaced, Sinai
Damaged road-signs to be replaced, Sinai
Micha Bar-Am
Gelatin silver print · 1979
Art Institute of Chicago
Beauty and the Beast
Beauty and the Beast
Vera Berdich
Color photo-etching, with drypoint and mezzotint, on white wove paper · 1979
Art Institute of Chicago
Spooky on the Line, from N.A.M.E portfolio
Spooky on the Line, from N.A.M.E portfolio
William T. Wiley
Lithograph on white wove paper · 1979
Art Institute of Chicago
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