Database / Artworks
Artworks
Woman Pulling Flax
Jacques Adrien Lavieille
Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé) · 1853
Art Institute of Chicago
Woman Raking Hay
Jacques Adrien Lavieille
Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé) · 1853
Art Institute of Chicago
Woman Spinning
Jacques Adrien Lavieille
Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé) · 1853
Art Institute of Chicago
Hodgepodge
Félicien Rops
Soft varnish etching (vernis mou), with aquatint and drypoint, in gray and black on cream wove paper · 1853
Art Institute of Chicago
Between Acts or the Englishwoman of the New Ballet
Félicien Rops
Heliogravure in black on Japanese paper vellum · 1853
Art Institute of Chicago
Parallelism
Félicien Rops
Heliogravure on cream wove paper · 1853
Art Institute of Chicago
Temptation or the Apple
Félicien Rops
Heliogravure, with hand-coloring, on cream wove paper · 1853
Art Institute of Chicago
The Crimson Curtain
Félicien Rops
Heliogravure, with aquatint and soft varnish ("vernis mou") on cream wove paper · 1853
Art Institute of Chicago
July
Félicien Rops
Etching and drypoint on cream wove paper · 1853
Art Institute of Chicago
For You General!
Félicien Rops
Aquatint and drypoint in black on cream laid paper · 1853
Art Institute of Chicago
Rue des Toiles, Bourges
Charles Méryon
Etching and drypoint on ivory laid paper · 1853
Art Institute of Chicago
Rue des Toiles, Bourges
Charles Méryon
Etching and drypoint on ivory laid paper · 1853
Art Institute of Chicago
The Gallery of Notre-Dame, Paris
Edmond Gosselin
Etching on verdâtre (greenish) laid paper · 1853
Art Institute of Chicago
The Vampire
Charles Méryon
Etching and drypoint on tan laid paper, laid down on ivory wove paper · 1853
Art Institute of Chicago
L'Arche du Pont Notre-Dame
Charles Méryon
Etching and drypoint on paper · 1853
Art Institute of Chicago
The Vampire
Charles Méryon
Etching and drypoint in dark brown on ivory laid paper · 1853
Art Institute of Chicago
The Vampire
Charles Méryon
Etching and drypoint in warm black on ivory wove chine, laid down on ivory laid paper · 1853
Art Institute of Chicago
Cast of Mrs. Marshall Wood's Left Hand (all fingers missing, half of ring finger intact)
Hiram Powers
metal · 1853
Smithsonian American Art Museum
An Arch of Pont Notre-Dame, Paris
Charles Méryon
Etching and drypoint on verdâtre (pale green) laid paper · 1853
Art Institute of Chicago
Diana (fragment)
Hiram Powers
plaster · 1853
Smithsonian American Art Museum
Rue des Toiles, Bourges
Charles Méryon
Etching and drypoint on verdâtre (greenish) laid paper · 1853
Art Institute of Chicago
The Vampire
Charles Méryon
Etching and drypoint in dark brown on greenish-ivory laid chine · 1853
Art Institute of Chicago
Pont-Neuf, Paris
Charles Méryon
Etching and drypoint in warm black on verdâtre (greenish) laid paper · 1853
Art Institute of Chicago
The Gallery of Notre-Dame, Paris
Charles Méryon
Etching on verdâtre (greenish-ivory) laid paper · 1853
Art Institute of Chicago