Database / Artworks
Artworks
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint, with touches of blue chalk on paper · 1926
Art Institute of Chicago
With Tooth and Nail, plate 50 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, scraping, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere
Georges Rouault
Heliogravure, with scraping, burnishing, roulette, and drypoint on paper · 1926
Art Institute of Chicago
Even the Ruins Have Been Destroyed, plate 34 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, scraping, roulette, and drypoint on paper · 1926
Art Institute of Chicago
Mortality has her Tears, plate 27 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, drypoint, burnishing on paper · 1926
Art Institute of Chicago
Camelback Mountain, Phoenix
George Elbert Burr
etching on paper · 1926
Smithsonian American Art Museum
Are we not Slaves?, plate six from Miserere
Georges Rouault
Heliogravure, burnishing, drypoint, roulette on paper · 1926
Art Institute of Chicago
The Poultryman
George Overbury ("Pop") Hart
aquatint, softground etching and drypoint on paper · 1926
Smithsonian American Art Museum
Robert L. Owen
Moses Wainer Dykaar
plaster · 1926
Smithsonian American Art Museum
On the Sunset Hill, 1926
William Henry Holmes
watercolor · 1926
Smithsonian American Art Museum
The Matinee
George Overbury ("Pop") Hart
softground etching and aquatint on paper · 1926
Smithsonian American Art Museum
Untitled (transfer drawing for Camelback Mountain, Phoenix)
George Elbert Burr
pencil on paper · 1926
Smithsonian American Art Museum
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with aquatint and brush on paper · 1926
Art Institute of Chicago
Two Doors--Interior
Wanda Gág
lithograph on paper · 1926
Smithsonian American Art Museum
Easter Morning
Wanda Gág
lithograph on paper · 1926
Smithsonian American Art Museum
Untitled (transfer drawing for San Xavier Mission, Tucson, Arizona)
George Elbert Burr
pencil on paper · 1926
Smithsonian American Art Museum
Gustave Moreau (with a small hat), from Souvenirs Intimes
Georges Rouault
Lithograph on ivory wove paper · 1926
Art Institute of Chicago
The Prodigal Son Among Courtesans
Jules Pascin
Drypoint in black on ivory wove paper · 1926
Art Institute of Chicago
Randolph Street, Chicago, from Clark to State Streets in the Year 1865
Raoul Varin
Aquatint, with hand-coloring, on cream wove paper · 1926
Art Institute of Chicago
Two Doors--Interior
Wanda Gág
lithograph on paper · 1926
Smithsonian American Art Museum
Wayside Inn Oaks in Spring
Childe Hassam
etching on paper · 1926
Smithsonian American Art Museum
Half-Length of a Reclining Woman
Oskar Kokoschka
Red chalk on cream wove tracing paper · 1926
Art Institute of Chicago
Lovers
Max Liebermann
Lithograph printed in black on paper · 1926
Art Institute of Chicago