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Artworks

308 records
Abele and Oak, from The Park and the Forest
Abele and Oak, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Beech Trees in Arundale Park, from The Park and the Forest
Beech Trees in Arundale Park, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Ash, Sycamore and Oak, from The Park and the Forest
Ash, Sycamore and Oak, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Plane Trees, from The Park and the Forest
Plane Trees, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Ash and Oak, from The Park and the Forest
Ash and Oak, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Common Willow, from The Park and the Forest
Common Willow, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Beech, from The Park and the Forest
Beech, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Thorn, Willow, Beech and Birch, from The Park and the Forest
Thorn, Willow, Beech and Birch, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Beech and Ash on the Greta, from The Park and the Forest
Beech and Ash on the Greta, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Larch, from The Park and the Forest
Larch, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Black Poplar, from The Park and the Forest
Black Poplar, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Pollard Willow, from The Park and the Forest
Pollard Willow, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Elm, from The Park and the Forest
Elm, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Ash and Alder on the Greta, from The Park and the Forest
Ash and Alder on the Greta, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Beech and Oak (Frontispiece), from The Park and the Forest
Beech and Oak (Frontispiece), from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
September - "Massacre of St. Bartholomew" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
September - "Massacre of St. Bartholomew" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1841
Art Institute of Chicago
May - Settling for the Derby - Long Odds and Long Faces from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
May - Settling for the Derby - Long Odds and Long Faces from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1841
Art Institute of Chicago
January - Twelfth Night Drawing Characters from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
January - Twelfth Night Drawing Characters from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1841
Art Institute of Chicago
List of Plates, from The Park and the Forest
List of Plates, from The Park and the Forest
James Duffield Harding
Lithograph in black on ivory wove paper · 1841
Art Institute of Chicago
Voyez-vous, mon petit Larrims...
Voyez-vous, mon petit Larrims...
Paul Gavarni
Lithograph in black on off-white China paper, laid down on cream wove paper · 1841
Art Institute of Chicago
Panel (Furnishing Fabric)
Panel (Furnishing Fabric)
Wright & Lee
Cotton, plain weave; engraved roller printed; glazed · 1841
Art Institute of Chicago
Ash, from The Park and the Forest
Ash, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Myddelton Biddulph Armorial Medallion
Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago
Myddelton Biddulph Armorial Medallion
Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago
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