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Artworks

Abele and Oak, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Beech Trees in Arundale Park, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Ash, Sycamore and Oak, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Plane Trees, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Ash and Oak, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Common Willow, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Beech, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Thorn, Willow, Beech and Birch, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Beech and Ash on the Greta, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Larch, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Black Poplar, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Pollard Willow, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Elm, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Ash and Alder on the Greta, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Beech and Oak (Frontispiece), from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

September - "Massacre of St. Bartholomew" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1841
Art Institute of Chicago

May - Settling for the Derby - Long Odds and Long Faces from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1841
Art Institute of Chicago

January - Twelfth Night Drawing Characters from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1841
Art Institute of Chicago

List of Plates, from The Park and the Forest
James Duffield Harding
Lithograph in black on ivory wove paper · 1841
Art Institute of Chicago

Voyez-vous, mon petit Larrims...
Paul Gavarni
Lithograph in black on off-white China paper, laid down on cream wove paper · 1841
Art Institute of Chicago

Panel (Furnishing Fabric)
Wright & Lee
Cotton, plain weave; engraved roller printed; glazed · 1841
Art Institute of Chicago

Ash, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago

Myddelton Biddulph Armorial Medallion
Augustus Welby Northmore Pugin
Linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching · 1841
Art Institute of Chicago