Database / Artworks
Artworks
Whitby
John Sell Cotman
etching · 1819
Cleveland Museum of Art
Hertog van Wellington
Peter Rouw
striking (metalworking) on bronze (metal) · 1819
Rijksmuseum
The Hero of the Chase
Richard Dighton, British
etching, hand colored · 1819
Cleveland Museum of Art
Card Table
Isaac Vose & Son
Mahogany, satinwood veneer, iron and brass · 1819
Art Institute of Chicago
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones
Oil on mahogany panel · 1819
Art Institute of Chicago
Landscape with a Ruined Castle
John Martin
Brush and brown ink and wash, over traces of graphite on cream wove paper, laid down on tan board · 1819
Art Institute of Chicago
Groom Leading a Horse
Jean Louis André Théodore Géricault
Graphite, on cream laid paper, perimeter mounted on cream wove paper · 1819
Art Institute of Chicago
Sea Horses
Suzanne Duchamp
Watercolor, pen, and brush and black ink on cream wove paper; laid down onto buff wove paper · 1819
Art Institute of Chicago
Handkerchief
Cornelius Tiebout
Cotton, plain weave; copperplate printed · 1819
Art Institute of Chicago
Swiss Sentry at the Louvre
Jean Louis André Théodore Géricault
Lithograph on ivory wove paper (discolored to cream) · 1819
Art Institute of Chicago
The Caricature Magazine, or Hudibrastic Mirror, Vol. I and II
George Woodward
Book with hand-colored etchings in black on cream wove paper · 1819
Art Institute of Chicago
Aided by Eeriboia, Hermes Carries Off the Exhausted Ares from the Sleeping Sons of Aloeus (recto); Sketch of One of the Sleeping Sons of Aloeus (verso)
Henry Fuseli
Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper · 1819
Art Institute of Chicago
Portfolio Cover for Picturesque Views of American Scenery, No. II
John Hill
Letterpress on blue wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Falls of St. Anthony on the Mississippi, plate seven of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View Near the Schuylkill Falls, Pennsylvania, plate five of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Washington's Sepulchre, Mt Vernon, Virginia, plate two of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Portfolio Cover for Picturesque Views of American Scenery, No. I
John Hill
Letterpress on blue wove paper · 1819
Art Institute of Chicago